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    Home/SOLD ARCHIVE/ SOLD - Takamine EF 360SC – Japan 1988
    Takamine EF 360SC – Japan 1988
    Takamine EF 360SC guitar, made in Japan in 1988, set against a simple white backdrop.
    Takamine EF 360SC acoustic guitar in brown, set on a white background, highlighting its vintage 1988 craftsmanship.
    The wooden back of a Takamine EF 360SC acoustic guitar, highlighting its craftsmanship from Japan, 1988.
    Taylor guitar on a clean white background, showcasing its features. Model: Takamine EF 360SC from Japan, 1988.
    Detailed view of the headstock from a 1988 Takamine EF 360SC acoustic guitar, highlighting its elegant features and tuning pegs.
    Takamine EF 360SC guitar, Japan 1988, prominently featured on a white background.
    A classic 1988 Takamine EF 360SC guitar on a stand, set against a simple white background.
    Takamine EF 360SC acoustic guitar from 1988 displayed on a stand with a white backdrop.
     Close-up shot of a Takamine EF 360SC guitar, made in Japan in 1988, featuring a stunning wooden body.
    Two guitars positioned differently, showcasing a Takamine EF 360SC from Japan, dated 1988.
    On a white surface, a blue guitar case displays the Takamine EF 360SC, crafted in Japan in 1988.
    Takamine EF 360SC guitar, made in Japan in 1988, placed in a case on a white surface.
    Home/SOLD ARCHIVE/ SOLD - Takamine EF 360SC – Japan 1988

    Takamine

    SOLD - Takamine EF 360SC – Japan 1988

    $1,595.00
    SKU: 21137
     
     
    This item is a recurring or deferred purchase. By continuing, I agree to the cancellation policy and authorize you to charge my payment method at the prices, frequency and dates listed on this page until my order is fulfilled or I cancel, if permitted.

    SOLD

    Japanese instrument maker Takamine had a mountain to climb when it set out to challenge the dominance of American acoustic makers in the 1960s - but the company soon became master of the electro-acoustic format, relied upon by everyone from Bruce Springsteen to the Eagles and justly earning the title of the ‘hardest-working guitars in music’.

    Takamine has made a huge success in carving out a niche as a brand that makes incredibly dependable stage guitars used by everyone from Pete Townshend to Garth Brookes. But while this is testament to the road-worthy quality of the guitars Takamine makes, it is also a kind of typecasting that somehow implies that the guitars are workhorses rather than thoroughbreds, built on a production line rather than crafted by hand.

    But back in the 70s & 80s this was certainly not the case. By the late 1970s Takamine was turning out fabulous copies of classic Martin and Gibson models, all meticulously curated by the company’s fastidious luthiers.

    However, by the early 80s the company was creating on their own designs and meeting with great success. Perhaps more than any other modern luthier, the Japanese firm blazed a trail for the electro-acoustic artform, while luring a starburst of disparate performers ranging from Bruce Springsteen to Dave Stewart of Eurythmics.

    But perhaps the era’s most pivotal development was the 1988 arrival of Makoto Terasaki - the master luthier and creative whirlwind who swept through Takamine with opinions that tweaked the nose of conventional industry wisdom.

    “Some users want all-solid wood acoustic guitars,” he said with regard to his refreshing stance on timbers, “especially on high-value instruments, but Jimmy D’Aquisto wrote that laminate is better than solid wood for sides and I agree with his opinion. We can make laminate sides harder than a solid side, and thinner. When I design guitars for the professional musician, in most cases I use laminate sides.”

    That is the case with this classic EF 360 SC Taka from 1988. This guitar presents the classic tone of a spruce and rosewood dreadnought guitar. The top is solid spruce, the back is solid Indian Rosewood, and the sides are Indian Rosewood laminate. Acoustically its voice is strong and punchy and cuts well through the densest mix.

    But possibly more importantly, this guitar was one of the first widely available models to incorporate Takamine’s then new bridge-mounted Palathetic pickup system.

    Using six large sized ceramic elements that captured the signal of each string, and bringing all the harmonic richness of the resonating soundboard into play, the result was a feedback-free, plug-and-play guitar whose amplified tone sounded unplugged.

    Features –

    Body Shape - Dreadnought
    Body Type - Hollowbody
    Body Construction - Acoustic
    Body Construction - Single cutaway
    Body Top Wood – Solid Spruce
    Back Wood – Rosewood

    Sides – Laminated Rosewood

    Neck - Mahogany
    Fingerboard Material – Rosewood

    Nut Width - 1.675"
    Number of Frets - 20
    Bridge - Rosewood
    Number of Pickups - 1
    Bridge Pickup Type - Piezo
    Controls – Volume Gain, Bass, Middle, Treble
    Neck Joint - Dovetail
    Pickguard - Yes
    Finish - Gloss

    This guitar was bought new by its one owner in 1988, and it has been cared for very well. A few marks here and there as expected in a 33 year old instrument, but nothing more than some light player wear, and nothing offensive.

    No structural issues, neck is straight, truss rod works perfectly, original Takamine tuners are strong and precise. Original frets show a little wear in the lower regions, but nothing affecting the instrument’s playability.

    In 1988 John from PREMIER GUITARS bought the twin of this guitar from Farrell Music in Brookvale - just down the road from our current showroom. That guitar has played hundreds of gigs since then and is still in exactly the same condition as when new. It has been a solid workdog for over 30 years and will never be moved on.

    John has owned a number of nice acoustics over the years, but when an onstage acoustic guitar is required, that is the one that gets the gig. Totally reliable, great sound, a delight play – just like this one.

    Comes in its original hard shell case in good condition.

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