{"title":"SOLD ARCHIVE","description":"","products":[{"product_id":"univox-gimmie-u-1988-japan-1974-75","title":"SOLD - Univox Gimmie U-1988 – Japan 1974-75","description":"\u003cp\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUnivox was a musical instrument brand of Japan’s Unicord Corporation from the early 1960s. They purchased the Amplifier Corporation of America of Westbury, New York and marketed a line of guitar amplifiers. Univox also distributed guitars branded by Matsumoku, effects units by Shin-Ei, and synthesizers by Crumar and Korg.\u003c\/p\u003e\n\u003cp\u003eIn 1985, Unicord Corporation was purchased by Korg, and the Univox brand was phased out.\u003c\/p\u003e\n\u003cp\u003eThis is a very nice Univox U1988 or “Gimmie” model in a natural finish, with a particularly attractive figured maple top. These guitars were made at the legendary Matsumoku plant in Japan and were one of dozens of  “lawsuit era”Les Paul copies from various brands at the time. These quirky clones have since developed a reputation of their own based on build quality and unique tonality. This U1988 features a lovely flamed shallow curve maple top on a maple body with “pancake” construction – same as Gibson Les Pauls from the same years. The pickups are signature Univox plastic covered and resin filled humbuckers which are sometimes referred to as Univox Rippers. It features a snug fitting bolt-on neck with a slim “D” profile that’s very comfortable to play in all positions.\u003c\/p\u003e\n\u003cp\u003eFeatures –\u003cbr\u003eMaple body\u003cbr\u003e24 3\/4″ Scale length\u003cbr\u003e1 11\/16″ Nut width\u003cbr\u003eSlim “D” profile maple neck\u003cbr\u003eRosewood fingerboard\u003cbr\u003ePearloid fretboard inlays\u003cbr\u003eUnivox humbucker neck 7.01k\u003cbr\u003eUnivox humbucker bridge 7.3k\u003cbr\u003e2 volume 2 tone pots\u003cbr\u003e3 way selector switch\u003cbr\u003eOriginal closed back Univox tuners\u003cbr\u003eTune-O-Matic style bridge with stoptail\u003cbr\u003eWeight is 8.5 lbs\u003c\/p\u003e\n\u003cp\u003eThis one is in great condition for a 40 year old guitar. It shows minimal player wear including some light marks and tiny dents on the back. But the top is amazingly clean – hard to find a mark anywhere. Same for the neck, front and back. Plenty of life left on the original frets. Truss rod works fine \u0026amp; tuners are good.\u003c\/p\u003e\n\u003cp\u003eThese Univox Les Pauls are becoming harder to find, mainly because their owners rarely part with them. Their quirky design elements combined with easy playability, great sounding pickups and high build quality add up to an appealing formula for players and collectors of these lawsuit guitars.\u003c\/p\u003e\n\u003cp\u003eComes in its original Univox branded hard shell case in very good condition.\u003c\/p\u003e","brand":"Univox","offers":[{"title":"Default Title","offer_id":31835867644044,"sku":"19110","price":600.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Univox_Gimmie_U-1988_Japan_1974-75.jpg?v=1734169487"},{"product_id":"nakade-master-30-grand-concert-flamenco-guitar-japan-1976","title":"SOLD - Nakade Master 30 Grand Concert Guitar – Japan 1976","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/a4F7lqEnQA8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis guitar was crafted in 1976 by Toshihiko Nakade, one of the best ever Japanese luthiers in his own right, and son of Sakazo Nakade, who is described by many Japanese experts as the father of Japanese luthiery.\u003c\/p\u003e\n\u003cp\u003eSakazo Nakade and his older brother Rokutaro were apprenticed to Japanese master violin luthier Mr Kinpachi Miyamoto in the 1930s.\u003c\/p\u003e\n\u003cp\u003eMiyamoto had a chance to examine and measure Andres Segovia’s performance guitar while he performed in Tokyo in 1929. Their master never ventured into guitar making, but the apprenticed Nakade brothers did. They also went to Spain to study guitar making from the Spanish masters.\u003c\/p\u003e\n\u003cp\u003eNakade guitars are high quality instruments and have a big following in Japan. They were famous in the early 60’s before Masaru Kohno started building his reputation towards the end of that decade.\u003c\/p\u003e\n\u003cp\u003eBoth brothers became quite famous and their instruments were highly regarded in Japan where they sold at the same prices as Masaru Kohno. Rokutaro passed away in early 1970’s. Sakazo continued his work until his death in 1993 at the age of 87. In late 1960’s \u0026amp; early 1970’s he was joined by his sons Teruaki and Toshihiko and later on by his youngest son Yukio.\u003c\/p\u003e\n\u003cp\u003eToshihiko Nakade instruments still command very high prices and their quality is irrefutable. Toshihiko’s grand concert guitars were only made as special orders and are super rare.\u003c\/p\u003e\n\u003cp\u003eThe Nakade workshops were never as big as Kohno’s facility, hence their guitars were sold outside Japan in very limited numbers. This one came in to Australia via The Sydney Spanish Guitar Centre, run by Peter Calvo. It was bought new by its one owner in1976 for AUD$1950. So it was a very expensive top end instrument back then. If you want to do the math, use inflationtool.com to see what that’s worth today.\u003c\/p\u003e\n\u003cp\u003eNakade guitars are world class instruments of the highest calibre. They feature the finest materials expected in a top class concert guitar, including old growth Indian rosewood back and sides with breathtaking grain, a fine master grade Hokkaido spruce top, ebony fingerboard, rosewood bridge, quality tuners, intricate bindings, purfling and rosette. It is a full size concert guitar with a 660 mm scale length and 52 mm width at the nut.\u003c\/p\u003e\n\u003cp\u003eThe workmanship and attention to detail is comparable with the highest quality Spanish made instruments. The intricate hand carving on the face of the headstock is a wonder to behold in itself.\u003c\/p\u003e\n\u003cp\u003eThis instrument was played professionally throughout the 70s and 80s but it shows little wear. A few light marks on the back and a small indentation on the back of the neck. The top is remarkably clean, with a tiny mark behind the high E string. No structural issues. It has been treated with great respect, and lived most of its life in its top quality hard case.\u003c\/p\u003e\n\u003cp\u003eScale length is 26\" or 660 mm\u003c\/p\u003e\n\u003cp\u003eNut Width is 2\" or 52 mm\u003c\/p\u003e\n\u003cp\u003eString height @ 1st fret = 3 mm. 12th = 4 mm\u003c\/p\u003e\n\u003cp\u003eSaddle appears to be original and untouched, with approx 2 mm showing above the bridge.\u003c\/p\u003e\n\u003cp\u003eIts tuners were replaced with top quality units by a Sydney based violin maker Matthew Bollinger. The originals are in the case.\u003c\/p\u003e\n\u003cp\u003eThis Nakade Master 30 has a wonderfully balanced character, with excellent playability and powerful projection. Superb clarity and separation at the top end, deep piano like bass, with great sustain and percussive attack. The beautiful solid spruce top has matured over the years and speaks with an impressive bold voice that will only sound better as it ages.\u003c\/p\u003e\n\u003cp\u003eComes in its original hard case in good condition.\u003c\/p\u003e","brand":"Nakade","offers":[{"title":"Default Title","offer_id":31881948037260,"sku":"19158","price":2995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Nakade_Master_30_Grand_Concert_Guitar_Japan_1976.jpg?v=1734087850"},{"product_id":"anuenue-im-bass-koa-bass-ukulele-taiwan-2018","title":"aNueNue Im Bass Koa Bass Ukulele – Taiwan 2018","description":"\u003cp\u003e\u003cstrong\u003ePRICE DROP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHere is a bass ukulele from the aNueNue Ukulele Company, a Taiwanese builder founded in 2008 by Johnson Liao. The brand was established around a philosophy that views the ukulele as a “happy musical instrument,” intended to spread love, peace, and musical expression. This vision has guided aNueNue’s development from its inception and continues to inform its modern design approach.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDrawing on a strong musical and manufacturing background, Liao worked with carefully selected craftsmen across Taiwan and China, sourcing tonewoods from around the world and refining construction techniques over time. This led to the development of aNueNue’s distinctive bracing and build systems, which have helped the company establish a reputation for producing refined, modern ukuleles with excellent tonal clarity and consistency.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis bass ukulele features a solid koa body, delivering a tight, punchy low-end response with a clear and focused tonal character. It is an electro-acoustic instrument, designed for both live performance and studio use, offering flexibility across a range of playing environments. The onboard system includes a custom active pickup with volume, treble, and bass controls, allowing precise tone shaping, along with a built-in tuner powered by dual 3V coin batteries for added practicality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDesign features include a sculpted rosewood rosette with an integrated 3D finger rest, improving comfort during extended playing, along with rosewood binding that enhances both durability and visual refinement. The overall ergonomics are well considered, balancing aesthetic detail with functional playability.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis example was purchased new in 2018 and has seen only sporadic use since. It presents in excellent condition with no visible marks and remains exceptionally well cared for. It plays smoothly, sounds excellent, and functions exactly as intended, offering a reliable and versatile bass ukulele suitable for stage or studio applications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eYear\u003c\/strong\u003e: 2019\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eCountry\u003c\/strong\u003e: Taiwan\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eName\u003c\/strong\u003e: I am Bass Koa\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eModel\u003c\/strong\u003e: IMBK\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eSize\u003c\/strong\u003e: 30 inch\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eFrets\u003c\/strong\u003e: 18\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eTop\u003c\/strong\u003e: Acacia Taiwan\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eSide\u003c\/strong\u003e: Acacia Taiwan\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eBack\u003c\/strong\u003e: Acacia Taiwan\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e: Laminated\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eHeadplate\u003c\/strong\u003e: Acacia Taiwan\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eMachine Head\u003c\/strong\u003e: Gear pegs\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eNeck\u003c\/strong\u003e: Mahogany\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eBridge\u003c\/strong\u003e: Rosewood\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eNut \/ Saddle\u003c\/strong\u003e: Synthetic bone\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eFretboard\u003c\/strong\u003e: Rosewood\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eInlays\u003c\/strong\u003e: Maple dot inlays\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eStrings\u003c\/strong\u003e: Aquila Thundergut\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e: Matte open pores\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eBinding\u003c\/strong\u003e: Rosewood\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eRosette\u003c\/strong\u003e: Rosewood\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003ePickup\u003c\/strong\u003e: aNueNue custom\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eCase\u003c\/strong\u003e: Comes in fitted soft gig bag in new condition\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"aNueNue","offers":[{"title":"Default Title","offer_id":31902380720268,"sku":"19262","price":495.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Front_view_of_aNueNue_Im_Bass_Koa_Bass_Ukulele_Taiwan_2018_showing_detailed_craftsmanship..jpg?v=1732441947"},{"product_id":"fender-6g12a-concert-amp-usa-1961","title":"SOLD - Fender 6G12A Concert Amp – USA 1961","description":"\u003cp\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a vintage 1961 Fender Concert Amp in exceptional  condition and in perfect working order. The Concert is the successor to the venerable 4×10 Bassman and the predecessor of the 4×10 Super Reverb.\u003c\/p\u003e\n\u003cp\u003eThis amp delivers sweet, dynamic clean tones with incredible sparkle and a certain high fidelity clarity that is noticeable as soon as you strum your first chord. Turn the amp up past 5 and the amp starts to smoothly overdrive with just the right amount of bite and the complex midrange bark that makes Fender’s Brownface amps the perfect middle ground between the growl and attitude of Fender’s Tweed amps and the glassy shimmer of the Blackface era.\u003c\/p\u003e\n\u003cp\u003eThe EQ controls have an incredible wide sweep, and this amp is uncommonly warm for a Fender, never feeling too bright or brittle, with the perfect amount of midrange and focused low end.\u003c\/p\u003e\n\u003cp\u003eThe second channel boasts the Harmonic Vibrato circuit, which was the only Fender “Tremolo” circuit to ever have a true pitch shifting effect, with deep pulsating warbles and a wide range of speeds.\u003c\/p\u003e\n\u003cp\u003eLots of Fender folks have seen the external red switch on the back of Fender Blackface amps. This switch means it is an export model (110v to 240v) but maybe few people are aware that before that, some brownface amps were equipped with an internal wiring strip which could be altered to choose the voltage. This is one of those amps, so it is running at 240v – no stepdown transformer required in Oz.\u003c\/p\u003e\n\u003cp\u003eOne pot and some resistors and have been changed but apart from that the internal circuitry appears very clean and original.\u003c\/p\u003e\n\u003cp\u003eThis one is carrying a set of four later era Fender branded 10” speakers that sound great – bright \u0026amp; punchy with a midrange kick that only 4x10s can deliver.\u003c\/p\u003e\n\u003cp\u003eThe tube chart is fully intact inside the cabinet with date stamp KH = August 1961. Circuit stamp is 6G12A.\u003c\/p\u003e\n\u003cp\u003eThe original rough brown tolex and oxblood grill cloth are intact and in remarkable shape. There is a chunk out of the bottom rear, but apart from that the tolex and grill show sparingly little wear.\u003c\/p\u003e\n\u003cp\u003eThe original chassis straps, nickel corners, sphinx glides, and flat “Fender” logo are all present and in great shape. The dogbone handle is there too with plenty of years to go.\u003c\/p\u003e\n\u003cp\u003eGreat Fender sound with warm cleans and clear, saturated drive tones. The 4×10’s have a quick response and produce a full \u0026amp; focused sound. The vibrato on this amp sounds fantastic and is partly what makes these old brownface amps so special.\u003c\/p\u003e\n\u003cp\u003eThis amp is a great candidate for any collection or studio.\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":32535218552972,"sku":"20041","price":3695.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Fender_6G12A_Concert_Amp_USA_1961.jpg?v=1733739864"},{"product_id":"fng-fugijen-j-standard-iliad-tele-style-japan-2015","title":"SOLD - FGN Fujigen J Standard Iliad – Tele Style – Japan 2015","description":"\u003cp\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFGN or Fujigen is the famous factory in Matsumoto, Japan that produces the Ibanez Prestige and J-Custom line of  guitars.\u003c\/p\u003e\n\u003cp\u003eBut FGN is also a stand alone brand separate from Ibanez. They apply their own designs and the same methods \u0026amp; craftsmanship, without the price premium of the Ibanez brand name.\u003cbr\u003e\u003cbr\u003eThis is their J Standard Iliad model, inspired by the Fender Telecaster.\u003c\/p\u003e\n\u003cp\u003eFrom FGN –\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Established in 1960, FUJIGEN has been manufacturing guitars, basses and ukuleles for many world famous labels for half a century. As the original manufacturer, we are responsible for the high quality (and probably for the success) of many of the world’s most respected brands.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFeatures -\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eConstruction - Bolt-On\u003c\/li\u003e\n\u003cli\u003eBody – Alder\u003c\/li\u003e\n\u003cli\u003eFinish - Polyester\u003c\/li\u003e\n\u003cli\u003eNeck - Maple U-Shape\u003c\/li\u003e\n\u003cli\u003eFingerboard - Rosewood 250mm R\u003c\/li\u003e\n\u003cli\u003eScale - 25.5 \"(648 mm)\u003c\/li\u003e\n\u003cli\u003eFrets - 22F Medium CFS\u003c\/li\u003e\n\u003cli\u003eTuners - GOTOH® SD91-05M\u003c\/li\u003e\n\u003cli\u003eBridge - FGN FJIL-6WSTD\u003c\/li\u003e\n\u003cli\u003eHardware Colour - Chrome \u0026amp; Nickel\u003c\/li\u003e\n\u003cli\u003ePickups - Seymour Duncan\u003c\/li\u003e\n\u003cli\u003eControls – 1 Volume, 1 Tone w \/ Push-Pull SW (Tap), 3 Way Lever Sw\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003eThis guitar is well made \u0026amp; the fit and finish is impressive. The gloss poly finish isn't too thick and the neck has a very comfortable satin finish. The neck profile is right on the border between \"nice and slim\" and \"nice and chunky\", so it's a very comfortable “medium”.\u003cbr\u003e \u003cbr\u003eFretwork is good - no sharp edges and nice crowning. It has a modern style, six saddle bridge which is made of thick solid steel.\u003cbr\u003e\u003cbr\u003eWe think from factory specs that the guitar is fitted with a Seymour Duncan Jerry Donahue single coil bridge pickup and a Seymour Duncan SH-1 alnico humbucker in the neck. \u003cbr\u003e\u003cbr\u003eThe pickups have slightly more mid focus and the highs are more airy than brash. The guitar has a nice acoustic quality when played unplugged, but with a little overdrive it sings, with plenty of cut. The pots have a nice quality feel about them, with good taper and a coil tap for the neck humbucker.\u003cbr\u003e\u003cbr\u003eThis FGN is a little more of an allrounder compared to a vintage style Telecaster and is easily capable of covering all genres of music. It is in excellent, almost new condition. Not much evidence of player wear, no visible fret wear, \u0026amp; everything works as it should. And the Silver Burst finish is quite stunning.\u003cbr\u003e\u003cbr\u003eFGN guitars are quite affordable but certainly not “cheap” guitars.  For overall quality and playability you get more than enough bang for your buck with this one.\u003cbr\u003e\u003cbr\u003eComes in its original quality FGN gig bag in good condition.\u003c\/p\u003e","brand":"FGN","offers":[{"title":"Default Title","offer_id":34542133674137,"sku":"20099","price":695.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/FGN_Fujigen_J_Standard_Iliad_Tele_Style_Japan_2015.jpg?v=1733901569"},{"product_id":"ernie-ball-earthwood-bass-usa-1980s","title":"SOLD - Ernie Ball Earthwood Bass  – USA 1980s","description":"\u003cp\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAfter finding great success with pre-packaged string sets and custom gauges, Ernie Ball founded the Earthwood company to produce a four-string acoustic bass guitar. George Fullerton built the prototype, as well as helping with other work before moving to Leo Fender's CLF Research company in 1974.\u003c\/p\u003e\n\u003cp\u003eThis from Vintage Guitar Magazine - Ernie Ball Earthwood -\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Way before “unplugged” became a popular way to play music and fretted acoustic bass guitar (ABG) models began appearing from so many manufacturers and independent luthiers, Ernie Ball bought a Mexican guitarron and gave it frets. Unable to interest manufacturers in the viability of an acoustic bass in the early 1970s, the veteran musician, retailer, and string maker created one himself.\u003cbr\u003e\u003cbr\u003eThere were, of course, prior attempts at making and marketing an acoustic bass. Gibson’s humongous Style J mando bass was made from 1912 to circa 1930 and had a 42″ scale (same as an upright bass). Four decades after the demise of the mando bass, Ball’s short-lived attempt at a true acoustic bass guitar was innovative and eye catching – and ahead of its time. Guitar manufacturing legend George Fullerton (Leo Fender’s right-hand man for decades) departed the Fender company five years after it was acquired by CBS, then worked with Ball to create the prototype acoustic bass. They hit the market in 1972.\u003cbr\u003e\u003cbr\u003ePerhaps the most intriguing facet of the Earthwood acoustic bass models was that wood was used wherever possible, including places where plastic or metal may have been more typical, including the truss rod cover, body, and headstock binding, fret markers, and soundhole trim are all wood. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe top is two-piece spruce. Its body is 25″ tall and 18 3\/4″ wide at the lower bout. The sides are made from two pieces of bookmatched mahogany that flare in opposite directions from center vertical strips of wood at the top and bottom of the body. The back is two-piece bookmatched mahogany, as well. The maple neck is bolted on, and a small panel on the back covers the three neck bolts as well as (surprise!) a tilt-neck adjustment access hole for an Allen wrench. The instrument’s serial number is stamped on the assembly that houses the neck bolts inside the body.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe scale on this beast is a full 34″ standard length, and the strings have to be loaded through the soundhole, then through the holes in the bridge. Moreover, this example is technically an electric instrument – there’s a Barcus-Berry Hot Dot pickup mounted under the bridge, and the cord for amplification plugs into the large lower strap button. There are, however, no controls – no volume, tone, equalizer, or active circuitry of any kind. The general line of thought for a player whenever one of these was wired up was probably to hope like hell it didn’t feed back.\u003cbr\u003e\u003cbr\u003eFor most would-be players, terms like “cumbersome” or “ergonomically-challenged” don’t even begin to describe the reaction when you first sit to plunk on an Earthwood bass, but then the guitarron on which it was based isn’t exactly sleek and slim, either.\u003cbr\u003e\u003cbr\u003eNevertheless, these gargantuan instruments can generate a generous and resonant sound once (and if) a player becomes accustomed to the bulkiness. It can add a unique (usually appreciated) low-end to any pickin’ and grinnin’ session in nearly any acoustic-oriented genre… and it’s still a lot smaller than a doghouse bass!\u003cbr\u003e\u003cbr\u003eThese days, improvements in piezo pickup technology and active circuitry have made it possible for the bodies of modern acoustic basses to be the same size as their guitar counterparts… as long as they’re running through an amplifier. But an Earthwood bass, considering the immense size of its body, moves a whole lot of air, so it’s more than capable of holding its own in a purely acoustic environment, as notable players like the Who’s John Entwistle and the Violent Femmes’ Brian Ritchie could attest.\u003cbr\u003e\u003cbr\u003eFor slightly over a decade, amidst stops and starts for various reasons, the Earthwood acoustic bass and other Earthwood instruments were created and produced sporadically until 1985. The brand name lives on for the Ernie Ball company, and currently serves as the moniker for its #2070 phosphor-bronze acoustic bass strings.\u003cbr\u003e\u003cbr\u003eThe quantity of Earthwood basses made is nebulous, but they are relatively rare – and big – birds.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe above description very accurately describes the Earthwood bass listed here. This particular example, serial number 952, appears to be in completely original condition and we think was likely built between 1979 and 1982.\u003c\/p\u003e\n\u003cp\u003eWith only around 500 total basses made throughout this model's production run, it is becoming challenging to find one in perfect structural shape with no issues. Aside from some very light playing wear, this example is in otherwise perfect condition.\u003c\/p\u003e\n\u003cp\u003eThe action is low, and acoustically the bass sounds fabulous. The pickup works fine and accurately amplifies this big boy should you want to plug it in.\u003c\/p\u003e\n\u003cp\u003eOften used to double existing bass parts, the Earthwood delivers a punch and presence an electric bass can't otherwise achieve. This is a well-crafted instrument and a total joy to play.\u003c\/p\u003e\n\u003cp\u003eMany Earthwood basses were sold with a soft gig bag, but the bonus with this one is its original Ernie Ball oversized hard case in excellent condition.\u003c\/p\u003e","brand":"Earthwood","offers":[{"title":"Default Title","offer_id":34632494284953,"sku":"20129 ","price":4995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Ernie_Ball_Earthwood_Bass_USA_1980s.jpg?v=1733735092"},{"product_id":"p-gibson-j-185-12-string-usa-2000-p-p-p","title":"SOLD - Gibson J-185-12 String – USA 2000","description":"\u003cp\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe J-185 was introduced in 1951 and quickly became a best-seller in the jumbo line. With a slightly smaller body than its fabled cousin, the SJ-200. The J-185 offers an excellent alternative for players looking for the power and projection of the Super Jumbo in a smaller body style. This J-185 12 String produces a clear, bright tone with beautifully balanced sonic range.\u003c\/p\u003e\n\u003cp\u003eIt has a dovetail neck-to-body joint, hand-fitted and secured with hide glue which ensures unequalled resonance transfer from strings to body. It also has a radiused body for projection and clarity, and its special nitrocellulose lacquer finish which allows the guitar's tone to mature with age.\u003c\/p\u003e\n\u003cp\u003eSpecs from Gibson -\u003c\/p\u003e\n\u003cp\u003eBody Style: J-185\u003cbr\u003eWood: Sitka spruce top, flame maple back and sides\u003cbr\u003eBinding: Multi-ply top and back, multi-ply double-ring rosette\u003cbr\u003eFinish: Natural, nitrocellulose lacquer\u003cbr\u003eNeck: 1-piece mahogany, 1.75' Tusq nut\u003cbr\u003eNeck-to-body: Compound dovetail secured with hide glue at the 14th fret\u003cbr\u003eBracing: Traditional scalloped x-bracing\u003cbr\u003eFingerboard: 12\" radius bound rosewood with MOP parallelogram inlay\u003cbr\u003eScale: 24 3\/4\"\u003cbr\u003eBridge: Belly up rosewood with Tusq saddle\u003cbr\u003eTuning Machines: Mini Grover Rotomatics\u003cbr\u003eElectronics: K\u0026amp;K Mini Pure\u003c\/p\u003e\n\u003cp\u003eThis fine Gibson J-185 12-string was built in April 2000 at the Gibson Bozeman plant in Montana. She is in great condition with some typical light player wear – various minor nicks \u0026amp; dings, surface scratches \u0026amp; mild weather checking. The neck is the well known wide, flat profile mahogany neck and is extremely comfortable to play. This is definitely one of the easiest playing 12 strings we have come across.\u003c\/p\u003e\n\u003cp\u003eFrets show very little wear, and have lots of life in them. Grover mini tuners are in perfect working condition.\u003c\/p\u003e\n\u003cp\u003eThe smaller body is very comfortable to play, yet is still deep enough for the notes to really ring out with chimy, bell-like tones. Professionally set up \u0026amp; ready for action.\u003c\/p\u003e\n\u003cp\u003eComes with its original plush lined Gibson hard case in excellent condition.\u003c\/p\u003e\n\u003cp\u003eVideo demo here - \u003ca href=\"https:\/\/www.youtube.com\/watch?v=SPluv0XBDgw\"\u003ehttps:\/\/www.youtube.com\/watch?v=SPluv0XBDgw\u003c\/a\u003e\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":35859340394649,"sku":"20194","price":3495.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Gibson_J-185-12_String_USA_2000.jpg?v=1733924067"},{"product_id":"hamer-xt-series-lp-jr-style-2007","title":"Hamer XT Series LP Jr Style  – 2007","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHere is a Hamer XT Series double-cutaway solid-body guitar, part of the modern revival of the historic Hamer brand originally founded in Wilmette, Illinois by Paul Hamer, Jol Dantzig, James Walker, and John Montgomery. Known for their high-spec, Gibson-inspired designs, Hamer guitars earned a strong reputation in the late ’70s and ’80s with players across rock and metal, and this XT model continues that legacy as an accessible, well-built interpretation of their classic formula.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis example features a mahogany body with a carved maple top, delivering a traditional tonewood combination that produces strong sustain, warm mids, and a clear, punchy attack. It is fitted with dual humbucker pickups, each controlled by individual volume knobs and a shared master tone, along with a three-way selector switch for classic Les Paul-style versatility. A Tune-o-Matic bridge with stopbar tailpiece ensures solid tuning stability and strong resonance transfer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe neck has a comfortable medium “C” profile with a 24.75\" scale length, 42mm nut width, and a relatively flat fingerboard radius, making it extremely comfortable for both rhythm and lead playing. Medium jumbo frets and a low action setup contribute to smooth playability, while the deep double-cutaway design provides excellent upper fret access.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCondition is excellent, having been lightly played and well cared for with no significant marks, dents, or structural issues. It presents as a clean, straight-forward, high-quality instrument offering excellent tonewoods and build quality well above its price range.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 2007\u003cbr\u003e\u003cstrong\u003eCountry\u003c\/strong\u003e: USA\u003cbr\u003e\u003cstrong\u003eModel\u003c\/strong\u003e: Hamer XT\u003cbr\u003e\u003cstrong\u003eBody\u003c\/strong\u003e: Mahogany back with maple top\u003cbr\u003e\u003cstrong\u003eNeck\u003c\/strong\u003e: Mahogany, medium C shape\u003cbr\u003e\u003cstrong\u003eFingerboard\u003c\/strong\u003e: 15.75\" radius, 22 medium jumbo frets\u003cbr\u003e\u003cstrong\u003eScale\u003c\/strong\u003e: 24.75\"\u003cbr\u003e\u003cstrong\u003ePickups\u003c\/strong\u003e: 2 x humbuckers\u003cbr\u003e\u003cstrong\u003eBridge\u003c\/strong\u003e: Tune-o-matic with stopbar tailpiece\u003cbr\u003e\u003cstrong\u003eCase\u003c\/strong\u003e: Hamer gig bag in good condition\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Hamer","offers":[{"title":"Default Title","offer_id":35999331025049,"sku":"20204","price":495.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Hamer_XT_Series_LP_Jr_Style_2007.jpg?v=1733317914"},{"product_id":"national-valco-glenwood-model-99-usa-1963","title":"SOLD - National Valco Glenwood Model 99 – USA 1962","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a fabulous National Glenwood Model 99 made in Chicago in 1962. The National Res-O-Glas guitars of the 1960s remain some of the most impressive examples of vintage American electric guitar design, an utterly unique concept even 50 years on.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith a moulded fibreglass body, aluminium-cored neck and electro-acoustic “Silversound” pickup built into the bridge they certainly did not lack for innovative features, even at the peak of electric guitar design. In the end, the line was perhaps more overtly stylish than entirely practical, and after a production span of only about three years they emerged more as collector pieces than player favourites. Which is a shame because this one is screaming out to be played.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile they do have the cachet of funky blues\/trash culture connotation today, these Nationals were actually quite expensive when new, and were marketed as top professional instruments.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Glenwood 99 was the top-of-the-line guitar in this series, with a striking white finish on the sculpted “map” shaped body, fancy split-diamond and block fret markers and stock Grover Rotomatic tuners.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe striking look is enhanced by a clear back-painted pinstriped plastic pickguard with a “NATIONAL Val-Pro” shield logo, and the black edge grommet around the sides at the joint of the two-piece body. The look echoes American hotrod culture of the period and manages to seem sophisticated and downhome at the same time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe most useful feature of this guitar is the provision of a full three pickup arrangement – two big sounding Valco oversize single coil pickups and the internal bridge unit. This is pre piezo technology, but this pickup sounds remarkably acoustic in its own way.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEach pickup has its own tone and volume controls mounted above and below the string line, with a three-way selector on the upper bout. The sound of the magnetic units is quite powerful with typical National\/Supro raunch, while the “Silversound” bridge pickup offers a very different tonality.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis guitar is considerably more upscale than most of the similar but far more common period National and Supro models of the period. Iconic in its own way, a very cool and rather uncommon 1960’s guitar, always an epic attention-getter and utterly distinctive, despite more recent imitations.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMoulded Res-O-Glas body\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSnow White finish\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMaple neck\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRosewood fingerboard\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOverall length is 39 3\/4“\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e15” wide at lower bout\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1 3\/4 “ body depth\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eScale length is 24 ¾”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWidth of nut is 1 ¾”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWeight is 8.5 lbs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis guitar has a fine back story in that it was owned for decades by a Canadian troubadour who earned his living via this instrument while exploring that country back in the 80s \u0026amp; 90s. There is a lovely letter included in the case, which refers to this guitar as his lifeline to survival.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis Glenwood 99 is very clean and original, with only some light wear apparent – a few scratches \u0026amp; dings here \u0026amp; there but nothing significant. The neck is super straight, and this is actually quite a very playable guitar – a claim not all 1960’s Valco products can make. Truss rod works fine, frets have lots of life left. The only features that may be non-original are the bridge saddle inserts, which actually add to the usability of this guitar.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is owned by a member of a high profile Aussie band, and has been set up \u0026amp; maintained by a professional support crew. It is a solid instrument, comfortable to play, with a big chunky sound. While generally considered a collector’s guitar, the Glenwood 99 is absolutely one of the coolest of all 1960’s six-string creations, for show or go!\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIncludes the even rarer original shaped case in fine structural condition. It has had its tolex skin removed over the years, and is now stained an attractive dark natural timber colour.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/OKGPneAuNYQ\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"National","offers":[{"title":"Default Title","offer_id":36048635822233,"sku":"20236","price":6495.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/National_Valco_Glenwood_Model_99_USA_1962.jpg?v=1734093829"},{"product_id":"fender-blues-junior-mex-2007","title":"Fender Blues Junior - Mex 2007","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHere is a Fender Blues Junior tube combo amplifier, a long-standing favourite among gigging guitarists since its introduction in the mid-1990s and widely regarded as one of the most practical and versatile small valve amps available. This 15-watt combo is part of Fender’s popular “Hot Rod” style lineup, designed to deliver reliable performance, strong volume, and pedal-friendly tone in a compact, stage-ready format.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Blues Junior is powered by EL84 output tubes paired with a 12AX7 preamp section, delivering warm midrange character, smooth tube-driven overdrive, and the classic Fender clean tone that has made it a staple for working musicians. Its dynamic response and sensitivity to playing style make it highly expressive, whether used for clean rhythm work or driven lead tones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA key feature of the amplifier is its simplicity and effectiveness. The straightforward control layout allows for quick tonal adjustments, while still offering enough flexibility for a wide range of sounds. It includes a real spring reverb for added depth and space, a footswitchable FAT boost for enhanced midrange presence and sustain, and external speaker capability for expanded rig setups when needed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis 2007 example was purchased new by its original owner and remains in very good condition. While the Blues Junior has seen various cosmetic and limited-edition variations over the years, the core electronics remain consistent across production runs for each model year, ensuring a dependable and familiar tonal platform. This unit is fitted with its original Fender-branded Eminence 12-inch speaker, which delivers balanced response and classic Fender clarity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTonally, the Blues Junior is known for its ability to cover a wide range of styles, from sparkling clean tones to thick, crunchy breakup and singing lead sounds when pushed. It responds well to pedals, making it an excellent platform for players who build their sound around effects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear\u003c\/strong\u003e: 2007\u003cbr\u003e\u003cstrong\u003eCountry\u003c\/strong\u003e: Mexico\u003cbr\u003e\u003cstrong\u003eType\u003c\/strong\u003e: All-tube, single-channel amplifier\u003cbr\u003e\u003cstrong\u003ePower\u003c\/strong\u003e: 15 Watts\u003cbr\u003e\u003cstrong\u003eSpeaker\u003c\/strong\u003e: 1 x 12” 50-watt, 8-ohm driver (model varies by edition)\u003cbr\u003e\u003cstrong\u003eReverb\u003c\/strong\u003e: Fender spring reverb (driven by solid-state op amp)\u003cbr\u003e\u003cstrong\u003eControls\u003c\/strong\u003e: Bass, Middle, Treble tone controls\u003cbr\u003e\u003cstrong\u003eGain\u003c\/strong\u003e: Independent preamp and master gain controls for tube overdrive management\u003cbr\u003e\u003cstrong\u003eSwitching\u003c\/strong\u003e: “Fat” pushbutton switch boosts gain and midrange frequencies in preamp stage\u003cbr\u003e\u003cstrong\u003eTubes\u003c\/strong\u003e: 3 x matched Groove Tubes 12AX7 preamp tubes; 2 x matched Groove Tubes EL84 power tubes (Fender-graded)\u003cbr\u003e\u003cstrong\u003eBias\u003c\/strong\u003e: Fixed power tube bias\u003cbr\u003e\u003cstrong\u003eRectifier\u003c\/strong\u003e: Solid-state rectifier\u003cbr\u003e\u003cstrong\u003eInput\u003c\/strong\u003e: Single 1\/4” input jack\u003cbr\u003e\u003cstrong\u003eKnobs\u003c\/strong\u003e: Vintage-style “chicken head” control knobs\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Very good condition with light tarnishing on metal top panel; tolex and grill cloth in excellent shape\u003cbr\u003e\u003cstrong\u003ePerformance\u003c\/strong\u003e: Classic low-watt tube amp design with strong tonal shaping, responsive overdrive control, and vintage-style Fender voicing suitable for studio and small venue use\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":36570522157209,"sku":"20233","price":600.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Black_Fender_guitar_amplifier.jpg?v=1732541765"},{"product_id":"greco-pb-750-electric-bass-matsumoko-japan-1971-75","title":"SOLD - Greco PB 750 Electric Bass - Matsumoko – Japan 1971-75","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eGreco Japan had their basses built at Tokyo’s Matsumoko facility from 1971 to 1975, before moving production to Fujigen,\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis Greco model PB-750 is based on a Fender Precision bass, but with the interesting addition of a Jazz Bass style pickup in the bridge position.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePB-750N Matsumoku Electric Bass\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMade in Japan\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBody: Sen (Japanese Ash)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFingerboard: Maple\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNeck Material: Maple\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eColour: Natural\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePickups: 1 x P Bass and 1 x J Bass\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNumber of frets: 20 (scale approx. 870 mm)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eControls: 1 Volume, 1 Tone, 3 Way Switch\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNut width: Approx 41 mm\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWeight: 11.5 lbs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDesigned to replicate the look of Fender's pioneering P Bass model, this Greco delivers a distinctive range of classic bass tonalities with clear, defined low end, midrange punch, and good top end articulation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut with the J Bass style bridge pickup singled out, an aggressive growl is on display, with a prominent cut and midrange that still retains a nice low end.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith both of the pickups engaged it's easy to dial in a nice balance of midrange punch and low end warmth.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor the past decade or so this Greco bass has been used in a working studio. It has been well set up and plays comfortably in all positions. It has a medium low action and accurate intonation.\u003c\/p\u003e\n\u003cp\u003eThe original pickups have been replaced with Seymour Duncan Basslines units. And the bridge is a very solid Schaller style replacement.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe maple neck has a slender C shape with slight shoulders, filling out gradually as you travel up the fretboard. The bass adheres to traditional Fender specs with a 1 1\/2\" nut width, full 34\" scale, and 7 1\/2\" fretboard radius.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe frets show very little wear and have plenty of life left. The original nickel-plated clover button tuners turn smoothly and hold pitch well.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOverall presentation and performance is very good. All of the electronics work smoothly and quietly. There is one control knob missing. Cosmetic wear is limited to some small dings and light scratches in the body finish - somewhat expected in an instrument of this age, but nothing offensive. The pickguard has a small channel cut to allow better access to the base of the truss rod.\u003c\/p\u003e\n\u003cp\u003eThis bass has a great voice, a solid feel, and a good setup ready for the studio and stage.\u003c\/p\u003e\n\u003cp\u003eComes in an older gig bag in reasonable condition.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVideo demo of same model - \u003ca href=\"https:\/\/youtu.be\/IJUXQiTiLXE\" data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/IJUXQiTiLXE\u003c\/a\u003e\u003c\/p\u003e","brand":"Greco","offers":[{"title":"Default Title","offer_id":36859191459993,"sku":"20251","price":895.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Greco_PB_750_Electric_Bass_-_Matsumoko_Japan_1971-75.jpg?v=1733999810"},{"product_id":"vicente-sanchis-model-34-classical-spain-1979","title":"Vicente Sanchis Model 34 Classical – Spain 1979","description":"\u003cp\u003e\u003cstrong\u003ePRICE DROP -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHere is a Vicente Sanchís Model 34 Classical Guitar, built in 1979 in Massanassa, near Valencia, Spain, during a period when the Vicente Sanchís workshop was producing a wide range of handcrafted classical and flamenco instruments. Originating from a lineage dating back to 1915 and Ricardo Sanchís Nacher, the workshop maintained traditional Spanish luthiery methods even as production expanded to a larger team.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Model 34 sat within the higher specification tier of Sanchís instruments at the time, and this example reflects that level of craftsmanship with a solid Canadian cedar top paired with Indian rosewood back and sides. The combination delivers a warm, responsive tonal character with clear separation, strong projection, and the characteristic quick bloom associated with cedar-topped classical guitars.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe mahogany neck features a full traditional D profile with notable shoulder, paired with a 650mm scale length and a 52mm nut width, offering a classic Spanish playing feel with excellent string spacing for fingerstyle articulation. The ebony fingerboard is solid and substantial, with 12 frets clear of the body, contributing to a strong, immediate response and clarity across the register.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eConstruction details remain firmly traditional throughout, including a rosewood bridge set cleanly against the top with no sign of belly rise, ornate soundhole rosette inlay, and mahogany\/maple purfling around the cedar top. The original strip tuners remain intact, along with the original label visible through the soundhole.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTonally, the guitar is rich, smooth, and open, with a broad, warm low end and a clear, singing midrange. The cedar top contributes a gentle compression and quick responsiveness, while the ebony fingerboard adds articulation and definition to individual notes. It projects with ease, making it well suited to classical repertoire as well as expressive fingerstyle playing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCondition is excellent for its age, with only light surface marks in the finish and no structural concerns. The neck remains clean and stable with a comfortable, well-preserved feel. At just over 40 years old, it presents as a remarkably well-kept example of an important Spanish workshop instrument.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear\u003c\/strong\u003e: 1979\u003cbr\u003e\u003cstrong\u003eCountry\u003c\/strong\u003e: Spain\u003cbr\u003e\u003cstrong\u003eModel\u003c\/strong\u003e: Vicente Sanchís Model 34 classical guitar\u003cbr\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e: Natural lacquer\u003cbr\u003e\u003cstrong\u003eBody\u003c\/strong\u003e: Solid Canadian cedar top, Indian rosewood back and sides\u003cbr\u003e\u003cstrong\u003eNeck\u003c\/strong\u003e: Mahogany neck with full D profile\u003cbr\u003e\u003cstrong\u003eFingerboard\u003c\/strong\u003e: Ebony \u003cbr\u003e\u003cstrong\u003eScale\u003c\/strong\u003e: 25.6\"\u003cbr\u003e\u003cstrong\u003eBridge\u003c\/strong\u003e: Rosewood\u003cbr\u003e\u003cstrong\u003eTuners\u003c\/strong\u003e: Original ornate strip tuners with white buttons\u003cbr\u003e\u003cstrong\u003eCase\u003c\/strong\u003e: Fitted hardshell case included\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sanchis","offers":[{"title":"Default Title","offer_id":37235787727001,"sku":"20262","price":1995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Vicente_Sanchis_Model_34_Classical_Spain_1979.jpg?v=1734339151"},{"product_id":"godin-a8-mandolin-canada-2019","title":"SOLD - Godin A8 Mandolin – Canada 2019","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Godin –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“The Godin A8 mandolin mixes traditional tone woods with modern design concepts and electronics. The two-chamber body is routed from a solid block of mahogany and capped with a solid spruce top. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe top is voiced with a unique combination of X and fan bracing that produces exceptional sound and projection even when played acoustically.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlugged in is where the A8 truly excels. The individual RMC saddle transducers run through an RMC preamp voiced specifically for the A8.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003eFeatures -\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTop - Solid Spruce Top\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBody - Two-Chambered Silver Leaf Maple\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNeck - Mahogany\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFingerboard - Richlite\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eScale Length - 13.88\" (352.552 mm)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNut Width - 1.200\" (30.48 mm)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eColour - Sunburst\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFinish - Semi Gloss\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is a fine sounding mandolin acoustically, but as pointed out in Godin’s blurb above, the pickup system is what sets this modern mando apart from many competitors. It really does work well. The specially voiced pre-amp works its magic to deliver a delicious and very accurate amplification of the acoustic instrument.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis A8 mandolin was bought new less than a year ago and apart from some very faint pick swirling below the strings and a few light scratches on the back, this one could pass as new. It would certainly suit a new buyer at a good discount from RRP \u0026amp; street price.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in its most professional fitted Godin gig bag in new condition.\u003c\/p\u003e","brand":"Godin","offers":[{"title":"Default Title","offer_id":37482284449945,"sku":"20282","price":1195.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/1_b2263a5d-0d81-4628-9183-e0a01bae17fb.jpg?v=1607845208"},{"product_id":"kala-ka-res-brs-tenor-resonator-ukulele-2019","title":"SOLD - Kala KA-RES-BRS Tenor Resonator Ukulele – 2019","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Kala company is all about the uke. The company lives and breathes ukulele – ukes are all they make, and they make them exceedingly well. In fact, Kala is in no small part responsible for the strong resurgence of interest in the uke that’s been going on since the mid 1990s. They design and manufacture over 120 different models made from a variety of woods.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Kala -\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“Totally redesigned for 2014, the Kala Tenor Resonator Ukulele’s lightweight aluminum resonator cone will provide you with a unique, robust tone that is louder and more distinctive than the typical wooden uke. Additionally, the Tenor Resonator’s stylish brass resonator cover and stunning figured mahogany body will be sure to attract attention. A serious uke with distinctive looks and sound, the Kala Tenor Resonator Ukulele’s robust tone will ensure that your performance is always a memorable one.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003eRather than utilising a wooden soundboard like a standard ukulele, a resonator ukulele utilises spun aluminium cones to produce its tone. Resonator ukes were originally designed to be louder than conventional ukuleles so they wouldn’t be overwhelmed by other instruments during a performance.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eResonator ukuleles also produce a different and distinctive tone quality. Although resonator ukuleles resemble lap steel guitars, these ukes are typically played in a conventional manner, rather than in a flat or bottleneck style.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Resonator line is fitted with a lightweight aluminium resonator directly into the Mahogany body. The resonator gets a brass cover and the body gets elegant F-holes to give this model its distinct appearance.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeatures\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eSize: Tenor\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eTop: Mahogany\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eBack \u0026amp; Sides: Mahogany\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eBinding: Pearloid\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eNeck: Mahogany\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eFinish: Sunburst Satin\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eFingerboard: Laurel\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eHeadstock: Standard\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eNut: GraphTech NuBone\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eSaddle: Maple\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eCone: Aluminium\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eCone \u003c\/span\u003eCover: Brass\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eScale Length: 16.875 inches  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOverall Instrument Length: 25.75 inches  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBody Length: 11.75 inches  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNumber of Frets: 18  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWidth at Upper Bout: 7 inches  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWidth at Lower Bout: 9.3125 inches  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWidth at Waist: 5.625 inches  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBody Depth: 3.125 inches\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFingerboard Width at Nut: 1.4375 inches  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFingerboard width at neck\/body joint: 1.8125 inches\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis Kala Tenor Resonator Ukulele was bought new in 2019. It plays perfectly and sounds great. It has been lightly used and well looked after. It has no sign of player wear and presents in as new condition. This one would definitely suit a new buyer.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in its fitted Kala soft case in new condition.\u003c\/p\u003e","brand":"Kala","offers":[{"title":"Default Title","offer_id":37508128342169,"sku":"20283","price":295.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Kala_KA-RES-BRS_Tenor_Resonator_Ukulele_2019.jpg?v=1734064840"},{"product_id":"evh-by-fender-5150-iii-50-watt-amp-head-amp-cab-usa-2014","title":"SOLD - EVH (by Fender) 5150 III 50 Watt Amp Head \u0026 Cab – USA 2014","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom EVH –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“Two of the most important and recognisable names in rock ‘n’ roll joined forces in 2005 to develop and launch the EVH brand of guitars, amplifiers to create some of the highest quality, best sounding and most durable musical instrument products available today.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEVH brand products are the embodiment of Eddie Van Halen’s legendary sound crafting abilities created in partnership with Fender, one of the world’s leading musical instrument manufacturers, marketers and distributors.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLoaded with pure EVH sound and power, the new EVH 5150III® 50-Watt Head is a scaled-down version of its acclaimed 100-watt big brother—the mighty 5150III.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Amp –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a three-channel amp. Channels one and two share EQ, with gain, low, mid, high and volume controls; channel three has gain, low, mid, high, volume and master presence and resonance controls.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOther features include selectable impedance (4, 8 or 16 ohms), dual parallel speaker output jacks, effects loop, headphone jack, line out and black hardware. Included four-button foot switch has 1\/4” input jack; also accommodates MIDI foot switching. Available in Black and Ivory textured vinyl covering with black EVH-striped grille.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures -\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Amplifier Type: Tube\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Knobs: Ivory Pointer Knobs\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Cabinet Material: Plywood\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Front Panel: Black EVH Striped Steel\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Hardware: Black\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Handle: Black Strap\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Headphone Jack: No\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Channels: 3, Channel 1 and 2 Share EQ\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Controls: Master Presence, Channel 1 and 2: Gain, Low, Mid, High, Volume; Channel 3: Gain, Low, Mid, High, Volume\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Effects Loop: Yes\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Extension Speaker Jack: 2 Parallel Speaker Output Jacks\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Headphone Jack: Yes\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Inputs: 1 Insert\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Line Out: Line Out Jack\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Power Tubes: 2 JJ 6L6\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Preamp Tubes: 6 JJ ECC83 (12AX7)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Amplifier Length: 8.5\" (21.6 cm)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Amplifier Length: 12\" (30.4 cm)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Amplifier Weight: 25 lbs. (11.4 kg)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Amplifier Width: 20\" (50.8 cm)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Input Impedance: \u0026gt;1M ohms\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Output Impedance: 4, 8 or 16 ohms (Selectable)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e·  Unique Features: 4-button footswitch with 1\/4\" cable input with ultra fast switching, midi input that can be used to control channels with virtually any midi device\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWe are extremely impressed by this amp’s rich, full tone - especially for being a \"mini\" amp. Tonally, it stays true to its bigger brother in the EVH line - a pristine clean channel, a great crunch channel, and a third channel with an absurd amount of gain. The added MIDI functionality makes it convenient to program with multi-fx processors. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Cabinet –\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe 5150III 1x12 cabinet is rated at 16 ohms and is loaded with a Celestion G12H 30W Anniversary Series speaker. It is exactly 25 percent of the cubic size (by volume) of its 4x12 big brother.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeatures –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eModel Name - 5150III® 112 ST Cabinet, Black\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eModel - 2253100010\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSeries - EVH® 5150 III® Cabinets\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCountry Of Origin - Mexico\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eColour - Black\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInputs - One x 1\/4\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCabinet Material - Ply 5\/8\" Birch Plywood\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHandle - Moulded Plastic Strap with Black Powder Coated Caps\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpeakers – 1 x 12\" Celestion EVH® G12H 30W Anniversary Series\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTotal Impedance - 16 ohms\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis 1 x 12\" cab's smaller size makes it perfect for club gigs and practicing. The EVH 5150 III 1 x 12\" straight cabinet was designed to Ed's specs to deliver killer tone. When paired  with the 5150 III 50-watt head this cab delivers the classic guitar tones that defined rock 'n' roll for decades.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThroughout his career Eddie Van Halen relied on Celestion speakers. The 5150 III 1 x 12\" cabinet continues that tradition with a single 12\" Celestion G12H 30-watt Anniversary speaker. The G12H gives you thick, warm tones with a tight low end. This speaker exudes classic EVH tone when combined with the 5150 III 50-watt head.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoth the amp and cabinet are in excellent condition. They have been appreciated and well looked after by a meticulous owner. They have had no modifications and are firing on all cylinders.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is a big sounding rig in a small package. It is unique in its versatility and delivery of big tone at any volume setting.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eComes with its 2 vinyl EVH branded covers in excellent condition along with its dedicated foot switch, power cable \u0026amp; speaker cable.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVideo Demo of same model - \u003ca href=\"https:\/\/youtu.be\/e3URBvBAtl4\" data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/e3URBvBAtl4\u003c\/a\u003e\u003c\/p\u003e","brand":"EVH","offers":[{"title":"Default Title","offer_id":37536501792921,"sku":"20302","price":1195.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/EVH_by_Fender_5150_III_50_Watt_Amp_Head_Cab_USA_2014.jpg?v=1733735672"},{"product_id":"fulltone-supa-trem-usa-2014","title":"SOLD - Fulltone Supa Trem – USA 2014","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMichael Fuller is the founder, designer, and President of Fulltone Musical Products Inc. From Michael -\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“Fulltone pedals were born out of a love for music, great gear, great tone, and a desire to make bullet-proof products. Early on I developed a love for fine vintage pedals and my frustration at the inconsistencies and the fragile nature of this old gear drove me to start Fulltone. Rich, Fat-sounding TONE TOOLS with a reliable build quality is the goal. All Fulltone effects carry a 5 year warranty and are built for (and by) musicians.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAll of Fulltone's Pots and switches are designed by me and custom made for me because standard pots are extremely weak and can break with even slight pressure applied to them. All Fulltone pedals are designed, hand-built \u0026amp; tested by us at our shop in Southern California using top-notch components.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is an original Fulltone Supa Trem pedal from around 2014 in pristine condition. It is not a Supa Trem ST1, or a Supa Trem Jr. It is the original version – and many say, the best.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Fulltone -\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e“The Supa Trem employs a custom-designed Fulltone Opto-1 photocell with an extremely fast recovery time which no other manufacturer can match. This makes it behave just like an old 1960’s American tube-amp, but without the annoying ticking sounds that plague amps and other tremolo pedals.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Supa-Trem is the most versatile tremolo on the market, sporting True-Bypass with green ON\/OFF L.E.D. and a red RATE L.E.D. showing your speed at all times (even when pedal is OFF) so you can drop right into the song at the correct tempo.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eWith the large RATE and MIX knobs you can fine-tune on-the-fly with your foot. The SPEED footswitch correctly halves or doubles your tempo so you stay rhythmically-correct with the tempo of the song you’re playing.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis Supa-Trem is in pristine, as new condition. It has been used sporadically and looked after well. It’s simply one of the best sounding boutique level trem units out there.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll Fulltone pedals are built to be rock solid, and they just work – quietly, efficiently and very well.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIf you're looking for a true classic tremolo without the expense of buying a vintage amp, this original Supa-Trem is right up your alley.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVideo demo of same model - \u003ca href=\"https:\/\/youtu.be\/6IiuvzA_J6c\"\u003ehttps:\/\/youtu.be\/6IiuvzA_J6c\u003c\/a\u003e\u003c\/p\u003e","brand":"Fulltone","offers":[{"title":"Default Title","offer_id":37645571293337,"sku":"20284","price":195.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Fulltone_Supa_Trem_USA_2014.jpg?v=1733902688"},{"product_id":"fender-rumble-15-v3-bass-combo-amp-2019","title":"Fender Rumble 15 V3 Bass Combo Amp - 2019","description":"\u003cp data-end=\"360\" data-start=\"30\"\u003eHere is a compact Fender bass practice amplifier, a surprisingly powerful 15-watt combo designed to deliver performance well beyond its size and price point. Despite its modest output, this amp is noted for producing a full, rich sound with characteristics typically associated with much larger and more expensive bass amplifiers.\u003c\/p\u003e\n\u003cp data-end=\"708\" data-start=\"362\"\u003eIt features a Fender Special Design 8-inch speaker housed in a closed-back cabinet, which helps deliver tighter low-end response and improved projection. The result is a punchy, focused tone that works particularly well for practice and low-volume rehearsal environments, while still maintaining clarity and definition across the frequency range.\u003c\/p\u003e\n\u003cp data-end=\"1013\" data-start=\"710\"\u003eDesigned with convenience in mind, the amplifier includes both a headphone output for silent practice and an auxiliary input, allowing users to connect external audio sources such as an iPad or CD player. This makes it easy to play along with backing tracks or favourite music without external speakers.\u003c\/p\u003e\n\u003cp data-end=\"1312\" data-start=\"1015\"\u003eWhile primarily intended as a bass practice amp, it also performs well for regular guitar use at lower volume levels, offering enough headroom and tonal flexibility for general practice scenarios. Its compact size makes it highly portable and easy to integrate into home or small rehearsal setups.\u003c\/p\u003e\n\u003cp data-end=\"1506\" data-start=\"1314\"\u003eThis example is in excellent, near-new condition with only minor dust from storage. There are no cosmetic or electronic issues, and it functions as intended with a solid, reliable performance.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1718\" data-start=\"1508\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1718\" data-start=\"1508\"\u003e\u003cstrong\u003eYear\u003c\/strong\u003e: 2019\u003cbr\u003e\u003cstrong\u003eType\u003c\/strong\u003e: Solid State (practice amp)\u003cbr\u003e\u003cstrong\u003ePower\u003c\/strong\u003e: 15 Watts\u003cbr\u003e\u003cstrong\u003eSpeaker\u003c\/strong\u003e: Fender Special Design 8” speaker\u003cbr\u003e\u003cstrong\u003eCabinet\u003c\/strong\u003e: Closed-back design\u003cbr\u003e\u003cstrong\u003eTone\u003c\/strong\u003e: Surprisingly full and meaty sound for its size, with headroom and character typically found in larger, more expensive amplifiers\u003cbr\u003e\u003cstrong\u003eUse\u003c\/strong\u003e: Bass practice amp, also suitable for regular guitar use\u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e: Headphone socket for silent practice; auxiliary input for external audio sources (iPad\/CD player) for jamming along\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Excellent, almost new condition with minor dust only\u003cbr\u003e\u003cstrong\u003ePerformance\u003c\/strong\u003e: Strong small-format practice amp with solid low-level jamming capability and responsive sound\u003cbr\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e: Originally paired with a Strat (now sold), no electronic or cosmetic issues\u003cb id=\"docs-internal-guid-facd9df8-7fff-2e3d-7902-0123ad60dfbe\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1718\" data-start=\"1508\"\u003e \u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":37948257960089,"sku":"20315","price":150.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Fender_Rumble_15_V3_Bass_Combo_Amp_-_2019.jpg?v=1732964886"},{"product_id":"fender-40th-anniversary-american-standard-stratocaster-usa-1994","title":"SOLD - Fender 40th Anniversary American Standard Stratocaster – USA 1994","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEveryone loves a good birthday party, including Fender, who has been keen to celebrate the continuing appeal of its most famous son since the company’s Anniversary Series first appeared in shops in 1979. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn time to celebrate the iconic Stratocaster’s 40\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e birthday, this particular one was built in early 1994. Available only during 1993 and 1994, the 40th had an enamel badge on the headstock (see pics) emblazoned with the words ‘40th Anniversary of the Stratocaster’, and a special neckplate inscribed “Fender Stratocaster 40 years … and still rocking”. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeatures –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e* A rosewood fingerboard with 22 medium jumbo frets\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e* A modern three-ply pickguard with 11 screws, five-way selector switch and three American Standard Pickups\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e* The controls on the 90s Standard Strat feature Fender’s TBX system, which offers master volume, plus tone for the neck pickup and tone for the middle and bridge respectively.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e* By the 1990s the Strat’s bridge and trem assembly had travelled quite far from its original 50s appointments - gone were the bent steel bridge saddles and six-screw configuration in favour of what we see here - redesigned saddles and two-point tremolo.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis 40\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e Anniversary Strat is in fabulous, almost new condition. It has hardly been played, and very well cared for. Apart from some very faint light button swirl on the back there are no marks, dings, dents, scratches anywhere that we can see. Certainly no buckle rash, and frets are 99%.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe finish on this one is the relatively rare and quite beautiful Caribbean Mist, and it is in excellent order. The guitar has been set up nicely and plays well in all positions. The neck is a very comfortable medium C profile.  The only change from original is a pair of straplock pins, which could easily be replaced.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWeight is 8.2 lbs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a classic workhorse guitar with some nice “Anniversary” appointments in fine playing condition, with another 40 years to go.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in a Gator hard case in excellent condition.\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":38164985544857,"sku":"21013","price":2495.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Fender_40th_Anniversary_American_Standard_Stratocaster_USA_1994.jpg?v=1733738249"},{"product_id":"prs-paul-reed-smith-30-combo-amp-usa-2010","title":"PRS Paul Reed Smith 30 Combo Amp – USA 2010","description":"\u003cp\u003e\u003cstrong\u003ePRICE DROP -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHere is a PRS 30 Combo amplifier, a 30-watt all-tube combo from Paul Reed Smith’s early amplifier range, first introduced in 2009 as part of PRS’s collaboration with master amp designer Doug Sewell. Designed and handmade in Stevensville, Maryland USA, the PRS 30 represents a carefully voiced blend of classic American and British amplifier influences, resulting in what is often described as an “English sound with an American twist.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe amplifier is built around a cathode-biased quartet of EL84 power tubes, delivering classic EL84-style response with added PRS refinement in the EQ and voicing. It is paired with a single 12-inch WGS (Warehouse Guitar Speakers) ET65 speaker, known for its transparent, neutral character, allowing the amp’s natural tube tone to come through without heavy coloration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTonally, the PRS 30 is highly responsive and dynamic, offering a wide range of expressive clean and edge-of-breakup sounds. It is extremely touch-sensitive, reacting strongly to picking dynamics and guitar volume changes. Players can move from clean rhythm tones to semi-overdriven lead sounds simply by adjusting attack or rolling the guitar volume up, making it a very interactive and musical amplifier.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe EQ voicing has been specifically refined to give the amp its own distinct identity within the EL84 family. According to PRS, the design combines elements of the Sweet 16 and Dallas amplifier circuits, resulting in a versatile platform suited to a broad range of styles including blues, country, classic rock, funk, and R\u0026amp;B.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAdditional features include onboard reverb, a bright switch for added clarity and presence, and a unique master volume design that is effectively removed from the signal path when the amp is run at full volume, allowing for a more direct, uncoloured response at higher output levels.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDespite its versatility, the PRS 30 remains a relatively straightforward amplifier design, focusing on core tone rather than extensive switching or modern features. It does not include channel switching, high-gain voicing, or an effects loop, making it more suited to players who prefer simplicity and organic amp response over complex functionality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis example is a one-owner unit, originally purchased new in Sydney and kept primarily in a home environment. It presents in pristine, virtually new condition with no modifications, repairs, or operational issues. It retains its original 240V power configuration and will require a step-down transformer for use in Australia if operated from a different voltage supply.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eVideo Demo from PRS - \u003ca href=\"https:\/\/youtu.be\/scu2-3ZCIpo\"\u003ehttps:\/\/youtu.be\/scu2-3ZCIpo\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eSpecifications: \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear\u003c\/strong\u003e: 2010\u003cbr\u003e\u003cstrong\u003eCountry\u003c\/strong\u003e: USA\u003cbr\u003e\u003cstrong\u003eModel\u003c\/strong\u003e: PRS 30 Combo\u003cbr\u003e\u003cstrong\u003eType\u003c\/strong\u003e: Tube\u003cbr\u003e\u003cstrong\u003ePower\u003c\/strong\u003e: 30 Watts (cathode biased)\u003cbr\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e: English sound with American twist\u003cbr\u003e\u003cstrong\u003eDesigner\u003c\/strong\u003e: Paul Reed Smith \u0026amp; Doug Sewell (nearly 4-year collaboration)\u003cbr\u003e\u003cstrong\u003eTubes\u003c\/strong\u003e: Quartet of EL84 power tubes\u003cbr\u003e\u003cstrong\u003eControls\u003c\/strong\u003e: Includes reverb, bright switch, and master volume (removed from circuit at max setting)\u003cbr\u003e\u003cstrong\u003eSpeaker\u003c\/strong\u003e: 1 x 12” WGS (Warehouse Guitar Speakers) ET65\u003cbr\u003e\u003cstrong\u003eCabinet\u003c\/strong\u003e: Combo format, compact design\u003cbr\u003e\u003cstrong\u003eTone\u003c\/strong\u003e: Classic EL84 character with enhanced EQ voicing; highly touch-sensitive, cleans up with guitar volume roll-off, smooth transition from clean rhythm to semi-overdriven lead tones\u003cbr\u003e\u003cstrong\u003eStyle Range\u003c\/strong\u003e: Country, Blues, Classic Rock, Funk, R\u0026amp;B (not designed for high-gain modern metal)\u003cbr\u003e\u003cstrong\u003eBuild\u003c\/strong\u003e: Hand-built in Stevensville, Maryland, USA\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Pristine, virtually new condition, one-owner unit, no modifications, repairs, or issues\u003cbr\u003e\u003cstrong\u003ePower\u003c\/strong\u003e: Original 240V supply (step-down transformer required for use in Australia)\u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e: No channel switching, no effects loop\u003cbr\u003e\u003cstrong\u003ePerformance\u003c\/strong\u003e: Wide tonal variation based on picking dynamics and guitar volume; highly responsive and dynamic tube amp platform\u003cb id=\"docs-internal-guid-43b4d35e-7fff-aeed-dedf-3de51df741f1\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"PRS","offers":[{"title":"Default Title","offer_id":38165259976857,"sku":"21020","price":1695.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/PRS_Paul_Reed_Smith_30_Combo_Amp_USA_2010.jpg?v=1733633674"},{"product_id":"suhr-classic-pro-usa-2018","title":"SOLD - Suhr Classic Pro – USA 2018","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Suhr –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"When our customers asked for an instrument with all the tone and playability of our Classic Antique, without the antiquing – we listened. The Classic Pro marries vintage design with modern improvements resulting in an instrument that is capable of producing iconic tones while retaining the build quality, features and playability you’ve come to expect from Suhr.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Classic Pro features a Maple neck with your choice of Maple or Indian Rosewood fingerboard. The neck is tinted and finished with our satin acrylic urethane, which provides the smooth feel of natural wood as well as protection from moisture.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNECK PROFILE - EVEN C MEDIUM (.840″-.920″)\u003cbr data-mce-fragment=\"1\"\u003eThe Classic Pro is equipped with our Even C Medium profile. Rolled edges and a 9″-12” compound fingerboard radius offers a substantial, yet comfortable shape.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFRETS - MEDIUM STAINLESS STEEL (.055″ x .090″)\u003cbr data-mce-fragment=\"1\"\u003eStainless steel frets offer silky smooth bending and long-lasting playability. Every Suhr receives a PLEK fret dress, ensuring the best possible string action, playability and intonation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCONTOURED HEEL - The contoured heel of the Classic Pro allows for easier access to the upper register. For optimum tone and stability, the neck joint must not be too tight or too loose, therefore all of our neck pockets are precisely fitted by hand, by expert craftsmen.\u003cbr data-mce-fragment=\"1\"\u003eCLASSIC BODY SHAPE - This is the standard vintage shape that many of us grew up with and has the addition of a contoured heel where the neck bolts on for easy access to all the frets.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTONE WOODS - Alder is one of the most popular guitar body woods of the 1960’s and is favoured by blues and rock players for its strong, clear, full-bodied sound, with beefy mids and excellent lows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBODY FINISH - Our finishing process provides an unparalleled combination of protection, beauty, and tone. Great care is taken to ensure that the thinnest possible layers of finish are applied. This allows the wood to resonate freely while still providing ample protection.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSSCII EQUIPPED - The SSCII is our proprietary silent single coil system. The SSCII is installed inside the body of the guitar and works with traditional single coil pickups. It reduces 60 cycle hum and has no impact on tone, no batteries to change – just transparent noise reduction.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHARDWARE \u0026amp; ELECTRONICS - The unique blend of locking tuners, a high performance bridge, and our proprietary SSCII noise reduction system creates the perfect combination of vintage tones with modern performance.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGOTOH BRIDGE - The Gotoh 510 tremolo bridge features dual steel knife edge pivot points to provide greater functionality and years of trouble free performance. The 510’s steel block increases sustain and tuning stability.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHSS PICKUP CONFIG - HSS with an SSV humbucker in the bridge position. The V60LP pickup is wound using a proprietary winding process that replicates the hand-wound pattern of some early-60’s single-coil pickups which have a natural roll off on the top end, imparting sweeter and rounder highs. Includes our SSCII noise reduction system.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSUHR LOCKING TUNERS - Equipped with staggered Suhr Locking Tuners, which provide an 18:1 gear ratio, improved tuning stability, and no need for a traditional string tree.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpecs -\u003cbr data-mce-fragment=\"1\"\u003eBody Shape: Classic\u003cbr data-mce-fragment=\"1\"\u003eBody Wood: Alder\u003cbr data-mce-fragment=\"1\"\u003ePickguard: Parchment 3-Ply\u003cbr data-mce-fragment=\"1\"\u003eNeck Wood: Tinted Maple\u003cbr data-mce-fragment=\"1\"\u003eFingerboard Wood: Indian Rosewood \u003cbr data-mce-fragment=\"1\"\u003eNeck Back Shape: Even C Medium .840“-.920“\u003cbr data-mce-fragment=\"1\"\u003eFingerboard Radius: 9“-12“ Compound\u003cbr data-mce-fragment=\"1\"\u003eFrets: Medium Stainless Steel (.055“x.090“)\u003cbr data-mce-fragment=\"1\"\u003eNut: 1.650“ Tusq\u003cbr data-mce-fragment=\"1\"\u003eBridge Pickup: SSV Humbucker\u003cbr data-mce-fragment=\"1\"\u003eMiddle Pickup: V60LP\u003cbr data-mce-fragment=\"1\"\u003eNeck Pickup: V60LP\u003cbr data-mce-fragment=\"1\"\u003eSSCII: Equipped (silent single coil system)\u003cbr data-mce-fragment=\"1\"\u003eTuning Machines: Suhr Lockin\u003cbr data-mce-fragment=\"1\"\u003eBridge: Gotoh 510 with steel block\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWeight is 7.2 lbs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis Suhr Classic Pro was bought new by its one owner less than two years ago. It has been beautifully looked after and presents in as new condition. No apparent visible player wear, no changes and no issues. It features Suhr’s quite beautiful Sonic Blue finish which is subtle but alluring.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd it features Suhr’s excellent SSCII silent single coil system which just about eliminates the dreaded single coil hum common to Strat style guitars. These combine beautifully with the fat sounding bridge humbucker to produce a big sound that is still focused and punchy in the mids and tight in the lows.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Classic Pro embodies the modernity and technology desired by the 21st century electric guitarist while encompassing the benefits of decades of guitar design and technology. Suhr guitars are renowned as instruments that owners treasure. Many a first-time Suhr owner has been surprised that the level of workmanship, build quality, sound and playability isn't twice the price of these beauties. This is a modern player's go-to guitar – style \u0026amp; finesse with power to burn.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in its quality Suhr gig bag in new condition along with detailed factory spec sheet.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVideo demo of exact same model - \u003ca href=\"https:\/\/youtu.be\/RDVLmW4jGUM\" data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/RDVLmW4jGUM\u003c\/a\u003e\u003c\/p\u003e","brand":"Suhr","offers":[{"title":"Default Title","offer_id":39277447577753,"sku":"21019","price":3795.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Suhr_Classic_Pro_USA_2018.jpg?v=1734159081"},{"product_id":"laney-vc-30-212-class-a-uk-2000","title":"SOLD - Laney VC 30-212 Class A – UK 2000","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLaney Amplification began in 1967 when Lyndon Laney, whilst playing in a local band, “The Band of Joy“ with John Bonham on drums and Robert Plant on vocals, turned his musical interest into amplifier construction. Initially working in his father’s garage, Lyndon Laney sought to design and build amplifiers with key tonal characteristics that were unheard of at the time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLaney’s signature tone, coupled with unrivalled performance and affordability were key characteristics that helped set Laney amplifiers apart from its competitors. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLaney amplifiers were highly sought after and used by numerous local musicians, one noted musician being Tony Iommi of Black Sabbath, who used Laney amplifiers during the recording of their seminal first release “Black Sabbath“ launched on Feb 13th 1970. An album which defined the new sound of Heavy Metal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom Laney –\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“It’s a cold-hearted guitarist whose hair doesn’t go up on the back of his neck when he plays a power chord on his favourite axe plugged into a Laney VC30212 Class A combo for the very first time…a slice of sonic heaven.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eVintage in attitude but packed with warmth, tone and enough gain to delight the most hardened Class A purist, the Laney VC30-212 covers vintage guitar tones with ease and absolutely creams the tones required for contemporary playing.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eIf you are looking for pure, expressive, classic tone, you need to look no further than the Laney VC30-212. Running through a pair of 12″ Custom designed 35 watt drivers, the VC30-212 generates very little crossover distortion because it runs in pure class A mode. That unmistakable Class A sound and feel is there in spades in this killer amplifier.”\u003c\/em\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBritain is famous for its 30 watt Class A guitar amplifiers and unlike more recent Asian made Laney amps, this VC30 was hand built by Laney in Cradley Heath, West Midlands, UK around 2000.\u003c\/p\u003e\n\u003cp\u003eFeatures – Laney VC 30-212 Class A – all valve Electric Guitar Amplifier Combo\u003c\/p\u003e\n\u003cp\u003eType - Class A tube combo\u003cbr data-mce-fragment=\"1\"\u003eFour EL84 power tubes\u003cbr data-mce-fragment=\"1\"\u003eThree ECC83 or 7025 preamp tubes,\u003cbr data-mce-fragment=\"1\"\u003eHi and lo inputs,\u003cbr data-mce-fragment=\"1\"\u003ePower and standby switches,\u003cbr data-mce-fragment=\"1\"\u003eControls for Clean Volume, Drive Volume, Drive level, Drive switch, Bright switch, Bass, Middle, Treble, Reverb, Effects Level\u003cbr data-mce-fragment=\"1\"\u003eMain and extension speaker jacks,\u003cbr data-mce-fragment=\"1\"\u003eOhm selector switch,\u003cbr data-mce-fragment=\"1\"\u003eEffects send and return jacks,\u003cbr data-mce-fragment=\"1\"\u003eFootswitch jack,\u003cbr data-mce-fragment=\"1\"\u003eTwo 12″ HH Invader Vintage 35 speakers\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt has a crack in its leather handle, but apart from that this VC 30 is pretty clean, especially for a 20 year old amp.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eObviously inspired by competitor Vox’s AC 30, this Laney unit has its own thing going. It actually delivers marginally more clean headroom than an AC 30 (if you want that), and breaks up in a slightly different way. Kinda gotta hear it live to fully appreciate the differences - but they’re all good.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBottom line is it’s a hand built, great sounding, very Brit Rock amp in very good condition.\u003c\/p\u003e","brand":"Laney","offers":[{"title":"Default Title","offer_id":39723120754841,"sku":"21048","price":795.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Laney_VC_30-212_Class_A_UK_2000.jpg?v=1734066846"},{"product_id":"strymon-blue-sky-reverb-pedal-usa-2021","title":"SOLD - Strymon Blue Sky Reverb Pedal – USA 2021","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Strymon –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“The philosophy behind our Blue Sky Reverberator is simple—take a ridiculously powerful SHARC DSP and dedicate it to doing one thing only: producing the most lush, majestic and stunning reverbs ever. Many hours and sleepless nights in the Strymon sound design labs were devoted to developing the complex reverb algorithms found inside Blue Sky. We squeezed every last drop of processing power available.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhether you’re a classic spring reverb fan or a studio rack aficionado, you’ll find your mojo here. Blue Sky provides three different reverb types, each with three modes, for a total of nine completely unique reverb experiences. Blue Sky even delivers an extremely versatile plate reverb, a rarity for a stompbox pedal. A full pre-delay and damping section provide deep reverb tone shaping. Add the mod and shimmer modes and you’re in store for unending reverb bliss. Couple that with 24-bit 96kHz converters and 115dB typical signal to noise, Blue Sky is equally at home on top of a studio console as it is in front of a tube amp.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe full pre-delay and damping section let you shape the tone of your reverbs, and 115dB signal-to-noise ratio plus 24-bit 06kHz converters make this reverb pedal appropriate for use in the recording studio and onstage. Use the Normal mode when you want to experience standard plate, room and spring reverb, or shift into Mod mode to add blissfully beautiful modulation to your choice of reverb. When you choose Shimmer mode, you get regenerative pitch shifting that lifts your sound into the stratosphere. Combine Shimmer mode with plate reverb to shift your pitch up an octave, or go for the Shimmer in Room and Spring reverb to generate a pitch shift of an octave plus a fifth.\u003c\/p\u003e\n\u003ch5 data-mce-fragment=\"1\"\u003eFeatures -\u003c\/h5\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHand crafted, computationally intense Plate, Room and Spring algorithms\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNormal, Mod and Shimmer modes per algorithm for extremely versatile reverb options\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHigh Damp and Low Damp controls for super-flexible reverb tone shaping\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMod mode for a beautifully modulated spring, room or plate reverb\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eShimmer mode for infinite pitch effects 'in the tank'\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDedicated Pre-Delay control to fine tune reflection times\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis unit is brand new. It was bought for use at one gig, and was never actually used. So it is unused, never been plugged in, sitting in its  box with all the paperwork etc at a nice discount from new RRP or street price.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStrymon has been the premier specialist reverb pedal company worldwide for some time now, and this killer Blue Sky unit continues in building the company’s reputation for leading the way in professional quality audio effects for guitarists.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVideo Demo from Strymon --  \u003ca href=\"https:\/\/www.strymon.net\/product\/bluesky\/#\" data-mce-fragment=\"1\"\u003ehttps:\/\/www.strymon.net\/product\/bluesky\/#\u003c\/a\u003e\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":39886306771097,"sku":"21057","price":325.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Strymon_Blue_Sky_Reverb_Pedal_USA_2021.jpg?v=1734158509"},{"product_id":"fender-50s-strat-partscaster-custom-shop-parts-usa-2020","title":"SOLD - Fender '50s Strat Partscaster - Custom Shop Parts – USA 2019","description":"\u003cp data-mce-fragment=\"1\"\u003eHere’s a story …. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAussie guitar player in a small country town is keen to find his ultimate Fender Custom Shop Vintage 50s Strat. So he’s looking, looking, looking for ages but can’t find what he wants – the one that’s just right, with the specs he needs.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e…. until he eventually realises that he can actually build it !\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSo, thanks to the wonders of the internet, which actually works quite well on his very remote property, he discovers the US guitar parts reseller The Stratosphere in Brentwood New Hampshire - \u003ca href=\"https:\/\/stratosphereparts.com\/\" data-mce-fragment=\"1\"\u003ehttps:\/\/stratosphereparts.com\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom The Stratosphere –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“We have been helping the world build a better guitar every day now for the past 16 years. We are best known for offering the largest selection of brand name necks \u0026amp; bodies anywhere. Our customers range from working musicians to repair shops to some of the most famous guitar players in the music industry.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSo his order is placed and duly delivered. It was –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFender Custom Shop ’56 neck – highly figured roasted maple, light V profile, light relic - US$1299\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFender American Original Series solid ash body in sunburst with light relic treatment \u0026amp; loaded with CS Fat 50s pickups - US$  699\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt all went together quite beautifully, and has been tweaked and set up in a most professional manner. Plays great \u0026amp; sounds huge.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe result is a fabulous ’56 style Fender Stratocaster created from genuine USA Custom Shop components. Of course, it plays brilliantly and sounds great.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhen you add up the $$$ above plus Aussie GST + import duty + shipping, it actually comes to an amount similar to a Fender Custom Shop guitar. Except it was built specifically to the owner’s requirements.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut things have changed and it’s time to move this one on.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis guitar is in brand new condition, albeit with a light relic treatment as created by Fender. It has been used sporadically in a home and studio setting, and is ready to rock.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in a hard shell SBK case in new condition, along with Fender warranty papers, Custom Shop owners manual and Certificate of Authenticity.\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":39886385348761,"sku":"21090","price":2750.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/A_Fender_Stratocaster_guitar_with_a_sunburst_finish_and_a_maple_neck..jpg?v=1732522926"},{"product_id":"fender-mij-57-style-stratocaster-japan-1992","title":"SOLD - Fender MIJ '57 Style Stratocaster – Japan 1992","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a nice ’57 style Fender Stratocaster made in Japan, we think in 1992.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBack in the 90s when the Fender MIJ (Made in Japan) Vintage ’57 Stratocaster Reissues were arriving in markets worldwide, it’s likely the average guitarist didn’t realise quite what a luxury they were.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMade by the plant which had shocked Fender USA with the quality and accuracy of the first Japanese Fender Vintage Reissues in 1982, these attitude-drenched and irresistibly pretty bundles of joy could still be found at very reasonable prices ten years on in the early ‘90s.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThey were players’ guitars of the highest order, and even in the early ‘90s, in terms of charm and magnetism, they were still putting out a challenge to American Stratocasters. And this one is no different.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt has had some upgrades over the years including –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWell regarded Van Zandt pickups, handmade in USA\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUS made CTS pots\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOak Grisby 5 way switch\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe lower tone knob controls a Fender TBX tone circuit\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe middle tone pot winds in an infinitely variable amount of the neck pickup to any switch setting\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMini toggle switch selects pickups in and out of phase for even more useable tones.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis guitar has a comfortable soft V neck profile – fits nicely in your hand. The vintage frets are in good condition – no real wear to be seen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere a few bumps \u0026amp; dings but nothing offensive – just the result of honest player wear over almost 30 years.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe finish is a quite lovely translucent red which allows the natural grain of the solid ash body to seen. This is offset by the pearloid pick guard and gold hardware which remains in very good, almost untarnished condition.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a good workdog Strat, set up nicely and with some high quality upgrades to ensure the instrument performs at its best.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in a basic gig bag in good condition.\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":40113159307417,"sku":"21077","price":1395.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Fender_MIJ_57_Style_Stratocaster_Japan_1992.jpg?v=1733896019"},{"product_id":"yamaha-slg-120nw-silent-guitar-japan-2009","title":"SOLD - Yamaha SLG 120NW Silent Guitar – Japan 2009","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Yamaha –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"The compact and lightweight Silent Guitar is the perfect instrument for practice, travel, and live performance. Although ultra-quiet acoustically, the SLG preamp system delivers natural-sounding acoustic tone through headphones or the line output. Onboard studio-quality effects enhance your playing experience, a line input lets you jam along to backing tracks, and the detachable wooden frame facilitates easy transport. Play whenever and wherever inspiration strikes!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures -\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e– Body: Solid maple, rosewood frame\u003cbr data-mce-fragment=\"1\"\u003e– Neck: Mahogany\u003cbr data-mce-fragment=\"1\"\u003e– Fingerboard: Ebony\u003cbr data-mce-fragment=\"1\"\u003e– Bridge: Rosewood\u003cbr data-mce-fragment=\"1\"\u003e– Scale: 650mm\u003cbr data-mce-fragment=\"1\"\u003e– Pickup: B-band Preamp\u003cbr data-mce-fragment=\"1\"\u003e– Electronics: Built-in Yamaha digital reverbs.\u003cbr data-mce-fragment=\"1\"\u003e– Controls: AUX IN w\/Level Control, Line Out, Phones Out, Volume, Bass, Treble, Reverb (Off\/1\/2), On\/Off Switch, Reverb Select\u003cbr data-mce-fragment=\"1\"\u003e– Tuners: Gold , with pearloid knobs\u003cbr data-mce-fragment=\"1\"\u003e– Colour: Natural\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith the SLG, Yamaha set out to bring a modern feel to the classic contours of a conventional guitar. The distinctive design that emerged is the result of a collaborative effort between the project team and the Yamaha Design Laboratory, and combines traditional guitar lines with an innovative new form unlike that of any guitar before it.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe detachable top section of SLG’s frame means that practicality and portability are way beyond that of a conventional guitar. The gigbag provided can be carried with ease and fits into an aircraft overhead compartment with room to spare.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe NW in the model name designates this as with nylon strings and a a wider-than-normal neck which is 55 mm at the nut. It is extremely comfortable to play.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe SLG 120NW is fitted with a dual action truss rod, allowing both convex and concave bow to be adjusted.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConnect to an external music player to enjoy music playback, enhance your playing with a range of authentic effects, or plug in headphones to enjoy playing in privacy—the SLG offers a variety of functions that make playing even more enjoyable. What's more, SLG come with a built-in precision chromatic tuner, compatibility with both battery- and AC power, and a range of other user-friendly features.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis versatile guitar was bought new by its one owner in 2009. It has been played primarily at home and has been looked after very well.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePerfect for practice when you’re the only one who needs to hear, or plug it in to a decent sound system and deliver a rich and authentic acoustic tone at any volume level.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in its specialised Yamaha gig bag in good condition, along with power supply \u0026amp; earbuds. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVideo demo - \u003ca href=\"https:\/\/youtu.be\/AAF3zJy4pqU\" data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/AAF3zJy4pqU\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMichelle - \u003ca href=\"https:\/\/youtu.be\/vvYfrGCW30w\" data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/vvYfrGCW30w\u003c\/a\u003e\u003c\/p\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":40261987205273,"sku":"21096","price":695.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Yamaha_SLG_120NW_Silent_Guitar_Japan_2009.jpg?v=1734323901"},{"product_id":"fender-25-sup-data-mce-fragment-1-th-sup-anniversary-stratocaster-usa-1979","title":"SOLD - Fender 25th Anniversary Stratocaster – USA 1979","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1979 Fender celebrated the 25th anniversary of the Stratocaster, the original of which was introduced in 1954, with the first \"anniversary\" instrument.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis was the first Fender instrument to be issued in a pre-determined and numbered, limited quantity. The first 500 or so instruments produced were finished in Pearl White. However, due to the instability of the finish and the checking that resulted, many were recalled and re-finished in Porsche Silver.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is one of those first 500 guitars. It was bought brand new by its one owner back in 1979, and sure enough, after a while the original finish started to break down. In the USA you could send it back to Fender for a complimentary refinish. But this one was bought in Melbourne, so it was taken to respected local luthier Merv Cargill.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMerv did a splendid job on its new finish in Porsche Silver, which has stood the test of time. The owner also got Merv to subtly reduce the thickness of the neck, and refinish that too. It is now a comfortable slim C profile that will suit a player with smaller hands, or who just prefers a slightly leaner neck.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAt some point later, the original Fender pickups were replaced by a set of highly regarded Kinman single coil units, which are still in the guitar and sound excellent.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 1979 Anniversary Stratocaster is significant for a number of reasons. It represents both a look behind and a look ahead for Fender. Noteworthy features include –\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eReversion to the four bolt neck plate\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAbandonment of the \"bullet\" truss rod adjustment in favour of the truss rod adjustment at the body end of the neck\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBody: Exclusive Fender offset contoured waist design.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNeck: Detachable hard rock maple neck and curved maple fingerboard graduated for fast action and comfortable playing.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAdjustable truss rod nut at headstock.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e25½\" scale.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e21 medium nickel-silver frets.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e6 Fender closed back machine heads.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFour-bolt neckplate with \"1954 - 1979 25th Anniversary\" logo\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBridge: 2-way adjustable design. 6 individually adjustable bridge sections. Pickups: Three adjustable and grounded, wide range, high output single coil pickups in a shielded cavity.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFive position pickup selector switch.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSynchronized tremolo with swing-away arm.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMaster volume and two tone controls.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis 25\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e Anniversary Strat was played on stage for many years and is showing some wear on the fingerboard, but no pitting – just some wear through the lacquer. It has a few dings, dents \u0026amp; light scratches which simply add to its character leading into its 42\u003csup data-mce-fragment=\"1\"\u003end\u003c\/sup\u003e year.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt has had a professional refret with medium wire, which is showing only a little wear in the lower area but nothing that affects playability. The original tuners are strong, truss rod is fine and it plays comfortably with a medium low action.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWeight is 9.1 lbs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis one ticks a lot of boxes – an excellent pro refret and refinish now 40 years old and with a set of killer pickups. It is a fine player with classic Fender Strat tone to burn.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in a new tweed hard case.\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":40266681417881,"sku":"21097","price":2995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/1_e7099729-ac0f-44a0-bc05-c102c3031d74.jpg?v=1622960538"},{"product_id":"vox-ac-30-c2-limited-edition-2014","title":"SOLD - Vox AC 30 C2 Limited Edition – 2014","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom VOX –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“VOX’s coveted Custom Series amplifiers are synonymous with remarkable guitar tone. Beginning with the birth of British rock ‘n’ roll, the distinguished, all-tube sound and signature chime of VOX amplifiers has inspired the most memorable moments in music history. In the years since exploding onto the scene, VOX has remained the choice of the most discerning players, serving as the voice for emerging artists and legends alike. When you have something to say, a VOX Custom Series amp will get you heard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBuilding on the blue blood pedigree of its little brother, the AC15, the iconic VOX AC30 is built to satisfy the tonal appetite of those who crave more power. The AC30 expands accomplishes its captivating sound with a quartet of EL84 power tubes and pumps out 30 watts of remarkable Class A tone through a pair of 12” Celestion Greenbacks.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eCapable of both enchanting clean and raucous overdriven sounds, the signature chime of the AC30 Custom seamlessly blends the intricacies of your playing style, resulting in a sound that is truly your own. The VOX AC30 is also the perfect partner to your effects pedals.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeatures -\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOutput Power: 30 Watts RMS into 16 Ohms\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpeaker: 2 x 12″ 8 ohm Celestion G12M Greenback\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInputs: Normal input jack (high and low), Top Boost input jack (high and low), FX RETURN jack, Footswitch jack\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOutputs: External loudspeaker jack, Extension loudspeaker jack, FX SEND jack\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDimensions (W x D x H): 702 x 265 x 556 mm \/ 27.64 x 10.43 x 21.89 inches\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWeight: 32.2 kg \/ 70.99 lbs.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVox’s long tradition of limited edition custom colour amps has been extremely popular amongst VOX players for decades. This one is in stunning purple, and it’s quite a head turner.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe VOX AC30 has earned its place in history as the amplifier that powered the British Invasion. Since then, the AC30 has remained the choice of the world’s most accomplished artists who have come to rely on its unique voice to amplify theirs.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYes this one is made in China, but all design elements and quality control is overseen by Vox UK to stringent standards. Purists may elect to disagree, but there is some mighty fine gear coming out of China these days. And it has to be better than just good to compete on the world stage. This is an example of a classic, time tested design being assembled with high quality components in another country where simple scale of economics makes the whole project viable.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut it’s in the playing that the true test occurs. So it may be worth putting aside any possible prejudices \u0026amp; having a good listen with an open mind, and open ears. This is a very versatile combo amp, with tons of character true to the Vox legacy. It covers a lot of ground, with a punchy, chimey sound that can be tailored to your needs from clean to crunch, from churn to burn. Definitely worth a look-in.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is in excellent condition with not a mark on the tolex. It has had no changes or modifications and presents pretty much as new.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn this age of megabuck “boutique” amplifiers, the VOX AC30 still proudly holds its own.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVideo demo of same model - \u003ca href=\"https:\/\/youtu.be\/GcrgNYjwMTM\" data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/GcrgNYjwMTM\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Vox","offers":[{"title":"Default Title","offer_id":40356059381913,"sku":"21110","price":1150.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Vox_AC_30_C2_Limited_Edition_2014.jpg?v=1734267454"},{"product_id":"duesenberg-double-cat-6-string-germany-2007","title":"SOLD - Duesenberg Double Cat 6 String – Germany 2007","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Duesenberg –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“The Double Cat is made from solid alder featuring large sound chambers. The body is fitted with a flat maple top featuring a Cat Eye styled F-Hole. This distinct construction of a solid but chambered alder body combined with a flat top and a one piece maple neck gives the Double Cat the special tone which musicians all around the world came to love.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Double Cat is equipped with our proven pickup combination comprising of the classically wound Grand Vintage humbucker for the bridge and the smooth and creamy Domino P90 single coil for the neck. The middle position of both pickups features our special wiring, which splits certain low end frequencies out of the humbucker signal. This creates an open and extremely versatile addition to your pallet of sounds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe smooth and easy to use Duesenberg Diamond Deluxe Tremola lends itself to subtle and also dramatic chord modulation.\u003cbr data-mce-fragment=\"1\"\u003eIt is known around the world for its outstanding tuning stability, solid construction and elegant looks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOur creamy Domino P90 in the neck position and the classically voiced Grand Vintage Humbucker at the bridge form an all-around dream team many have tried to replicate.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe acclaimed middle position of the heavy duty 3-way switch features a special wiring that filters certain low-end frequencies out of the humbucker signal. The result is an open, funky and extremely versatile addition to your pallet of tone.”\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ctable width=\"1110\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003e\n\u003cp\u003eNeck\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"278\"\u003e\n\u003cp\u003eType:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eSet Neck, 1-piece Maple\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"278\"\u003e\n\u003cp\u003eWidth (6-string):\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e42.5 mm \/ 1.67\" (nut), 52 mm \/ 2.05\" (12th fret)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"278\"\u003e\n\u003cp\u003eWidth (12-string):\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e45 mm \/ 1.77\" (nut), 54 mm \/ 2.13\" (12th fret)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"278\"\u003e\n\u003cp\u003eThickness (6-string):\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e21 mm \/ 0.8\" (1st fret), 24 mm \/ 0.95\" (12th fret)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"278\"\u003e\n\u003cp\u003eThickness (12-string):\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e22 mm \/ 0.87\" (1st fret), 24.5 mm \/ 0.96\" (12th fret)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"278\"\u003e\n\u003cp\u003eShape:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eMedium D\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"278\"\u003e\n\u003cp\u003eFingerboard:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eIndian Rosewood, radius 305 mm \/ 12\"\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"278\"\u003e\n\u003cp\u003eInlays:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eCream dots\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"278\"\u003e\n\u003cp\u003eFrets:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e22 Jumbo 2.8 x 1.0 mm\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"278\"\u003e\n\u003cp\u003eScale length:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e648 mm \/ 25.5\"\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"278\"\u003e\n\u003cp\u003eTrussrod:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eSteel dual-action\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"278\"\u003e\n\u003cp\u003eHeadstock:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eBlack\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003ctable width=\"1110\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd colspan=\"2\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBody\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eType:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSolid American Alder with sound chambers\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTop:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLaminated Maple\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDimensions:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e47 x 34 cm \/ 18.5\" x 13.35\"\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHeight (sides):\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e4.5 cm \/ 1.8\"\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBinding:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCream with 3-layer purfling\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePickguard:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCream\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFinish:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePUR lacquer.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003ctable width=\"1110\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd colspan=\"2\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHardware\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTuners:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuesenberg Z-Tuners (6-string)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBridge:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuesenberg Steel Saddle Bridge\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTremolo:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuesenberg Diamond Deluxe Tremola (6-string)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStrap pins:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuesenberg Standard (\u003ca href=\"https:\/\/store.duesenberg.de\/en\/accessories\/110\/duesenberg-drop-stop-straplocks?c=63\" data-mce-fragment=\"1\"\u003eStraplock compatible\u003c\/a\u003e)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHardware color:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNickel\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStrings (6-string):\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuesenberg Custom 10\/50 (010-013-017-028-042-050)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePickup (neck):\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuesenberg Domino P90 \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePickup (bridge):\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuesenberg GrandVintage Humbucker\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd width=\"278\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWiring:\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e1 Volume, 1 Tone, 3-Way Pickup Selector\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a beautifully built guitar, with looks to match. Since its beginnings in the mid 80s, Duesenberg has become a brand synonymous with quality. They build fabulous looking retro style guitars that you can actually play.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd this one plays really well, with a comfortable neck and it feels strong \u0026amp; balanced. There’s tons of tone and the pickups are perfectly suited to the semi hollow body construction. And they are LOUD if you want them to be. But if you dial down a little all the sweet tone is retained with no tonal drop-ff. The proprietary Diamond Deluxe trem stays in tune, and offers other tonal options.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere is some light scratching \u0026amp; minor player wear on the back that can only be seen in a certain angle of light. There are a couple of tiny marks on the lovely sunburst top. The metalwork is all clean and untarnished. This guitar has been well looked after and presents in excellent condition.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd the lovely bright 3 colour sunburst finish present on this one was discontinued some time ago. Standard colour is now blue, and black for the 12 string.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUnfortunately the tremolo arm is missing, but can be easily procurred.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWeight is 7.8 lbs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in its Duesenberg hardshell case in good condition.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Duesenberg","offers":[{"title":"Default Title","offer_id":40480413647001,"sku":"21120","price":2795.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Duesenberg_Double_Cat_6_String_Germany_2007.jpg?v=1733661488"},{"product_id":"fender-60th-anniversary-american-series-telecaster-usa-2006","title":"Fender 60th Anniversary American Series Telecaster  – USA 2006","description":"\u003cp data-mce-fragment=\"1\"\u003eFrom Fender 2006 – \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e“Own a piece of musical history! 2006 is the Diamond Anniversary of Fender (1946-2006), and to celebrate, we've created some special models that incorporate a balance of vintage and modern features. They will only be available in 2006, so get yours today!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e This version of the American Series Tele features US Vintage pickups, custom case, tastefully engraved neckplate, and a jewelled headstock.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures -\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eModel Name: Fender 60th Anniversary Commemorative Telecaster\u003cbr data-mce-fragment=\"1\"\u003eModel Number: 011-6100-700\u003cbr data-mce-fragment=\"1\"\u003eSeries: American Series\u003cbr data-mce-fragment=\"1\"\u003eBody: Alder Neck: Maple, Modern 'C' Shape, (Satin Polyurethane Finish)\u003cbr data-mce-fragment=\"1\"\u003eFingerboard: Rosewood with White Pearloid Position Markers , 9.5 in. Radius (241 mm)\u003cbr data-mce-fragment=\"1\"\u003eNo. of Frets: 22 Medium Jumbo\u003cbr data-mce-fragment=\"1\"\u003eScale Length: 25.5 in. (648 mm)\u003cbr data-mce-fragment=\"1\"\u003eWidth Nut: 1.6875 in. (43 mm)\u003cbr data-mce-fragment=\"1\"\u003eHardware: Chrome\u003cbr data-mce-fragment=\"1\"\u003eMachine Heads: Fender\/Schaller Deluxe Staggered Cast\/Sealed Tuning Machines\u003cbr data-mce-fragment=\"1\"\u003eBridge: American Tele with 6 Stainless Steel Saddles\u003cbr data-mce-fragment=\"1\"\u003ePickguard: Parchment Pickguard\u003cbr data-mce-fragment=\"1\"\u003ePickups: 2 American Vintage Tele Single-Coil Pickups (Neck \u0026amp; Bridge)\u003cbr data-mce-fragment=\"1\"\u003ePickup Switching:\u003cbr data-mce-fragment=\"1\"\u003e3-Position Blade:\u003cbr data-mce-fragment=\"1\"\u003ePosition 1. Bridge Pickup\u003cbr data-mce-fragment=\"1\"\u003ePosition 2. Bridge and Neck Pickups\u003cbr data-mce-fragment=\"1\"\u003ePosition 3. Neck Pickup\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eControls: Master Volume, Master Delta Tone (Delta Tone system includes high output bridge pickup and special No-Load tone control)\u003cbr data-mce-fragment=\"1\"\u003eColour: 3-Colour Sunburst (Polyurethane Finish)\u003cbr data-mce-fragment=\"1\"\u003eUnique Features: Engraved 60th Anniversary P\/B\/P Pickguard. Engraved 60th Anniversary Neckplate .Commemorative 60th Anniversary Case. Jewel Headstock Emblem. 'Parchment' Knobs and Pickup Covers. Rolled Fingerboard Edges, Sharper '52 Style Body Radius\u003cbr data-mce-fragment=\"1\"\u003eOrigin: USA\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWeight is 8.2 lbs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a stunning Fender 60th Anniversary Telecaster in classic sunburst finish. It presents in excellent condition, with no changes or modifications since new.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe top looks good with only some light player wear and a few minor dents. The back has some very light buckle rash, but nothing through the finish. Overall much less wear and tear expected from a guitar of this vintage. The dark rosewood fingerboard is in beautiful condition, and the back of the neck is super clean \u0026amp; smooth. The original medium jumbo frets are in great condition with lots of life left.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt has been really nicely set up by respected Sydney guitar technician Steve Cocking, so it plays super easy in all neck positions.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis 60\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e Anniversary Tele is totally original with no changed parts, and has the Fender 60\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e badge on the neck plate and a cute little diamonte on then SIXTY YEARS banner on the front of the headstock.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCome in its original Fender 60\u003csup data-mce-fragment=\"1\"\u003eth\u003c\/sup\u003e silver tolex case in good condition.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVideo demo of same model - \u003ca href=\"https:\/\/youtu.be\/FvvPjRrIku4\" data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/FvvPjRrIku4\u003c\/a\u003e\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":40674697085081,"sku":"21133","price":1995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/A_sunburst_electric_guitar_with_a_white_pickguard_on_a_white_background..jpg?v=1732530733"},{"product_id":"takamine-ef-360sc-japan-1988","title":"SOLD - Takamine EF 360SC – Japan 1988","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJapanese instrument maker Takamine had a mountain to climb when it set out to challenge the dominance of American acoustic makers in the 1960s - but the company soon became master of the electro-acoustic format, relied upon by everyone from Bruce Springsteen to the Eagles and justly earning the title of the ‘hardest-working guitars in music’.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTakamine has made a huge success in carving out a niche as a brand that makes incredibly dependable stage guitars used by everyone from Pete Townshend to Garth Brookes. But while this is testament to the road-worthy quality of the guitars Takamine makes, it is also a kind of typecasting that somehow implies that the guitars are workhorses rather than thoroughbreds, built on a production line rather than crafted by hand.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut back in the 70s \u0026amp; 80s this was certainly not the case. By the late 1970s Takamine was turning out fabulous copies of classic Martin and Gibson models, all meticulously curated by the company’s fastidious luthiers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHowever, by the early 80s the company was creating on their own designs and meeting with great success. Perhaps more than any other modern luthier, the Japanese firm blazed a trail for the electro-acoustic artform, while luring a starburst of disparate performers ranging from Bruce Springsteen to Dave Stewart of Eurythmics.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut perhaps the era’s most pivotal development was the 1988 arrival of Makoto Terasaki - the master luthier and creative whirlwind who swept through Takamine with opinions that tweaked the nose of conventional industry wisdom.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Some users want all-solid wood acoustic guitars,” he said with regard to his refreshing stance on timbers, “especially on high-value instruments, but Jimmy D’Aquisto wrote that laminate is better than solid wood for sides and I agree with his opinion. We can make laminate sides harder than a solid side, and thinner. When I design guitars for the professional musician, in most cases I use laminate sides.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThat is the case with this classic EF 360 SC Taka from 1988. This guitar presents the classic tone of a spruce and rosewood dreadnought guitar. The top is solid spruce, the back is solid Indian Rosewood, and the sides are Indian Rosewood laminate. Acoustically its voice is strong and punchy and cuts well through the densest mix.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut possibly more importantly, this guitar was one of the first widely available models to incorporate Takamine’s then new bridge-mounted Palathetic pickup system.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUsing six large sized ceramic elements that captured the signal of each string, and bringing all the harmonic richness of the resonating soundboard into play, the result was a feedback-free, plug-and-play guitar whose amplified tone sounded unplugged.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBody Shape - Dreadnought\u003cbr data-mce-fragment=\"1\"\u003eBody Type - Hollowbody\u003cbr data-mce-fragment=\"1\"\u003eBody Construction - Acoustic\u003cbr data-mce-fragment=\"1\"\u003eBody Construction - Single cutaway\u003cbr data-mce-fragment=\"1\"\u003eBody Top Wood – Solid Spruce\u003cbr data-mce-fragment=\"1\"\u003eBack Wood – Rosewood\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSides – Laminated Rosewood\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNeck - Mahogany\u003cbr data-mce-fragment=\"1\"\u003eFingerboard Material – Rosewood\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNut Width - 1.675\"\u003cbr data-mce-fragment=\"1\"\u003eNumber of Frets - 20\u003cbr data-mce-fragment=\"1\"\u003eBridge - Rosewood\u003cbr data-mce-fragment=\"1\"\u003eNumber of Pickups - 1\u003cbr data-mce-fragment=\"1\"\u003eBridge Pickup Type - Piezo\u003cbr data-mce-fragment=\"1\"\u003eControls – Volume Gain, Bass, Middle, Treble\u003cbr data-mce-fragment=\"1\"\u003eNeck Joint - Dovetail\u003cbr data-mce-fragment=\"1\"\u003ePickguard - Yes\u003cbr data-mce-fragment=\"1\"\u003eFinish - Gloss\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis guitar was bought new by its one owner in 1988, and it has been cared for very well. A few marks here and there as expected in a 33 year old instrument, but nothing more than some light player wear, and nothing offensive.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNo structural issues, neck is straight, truss rod works perfectly, original Takamine tuners are strong and precise. Original frets show a little wear in the lower regions, but nothing affecting the instrument’s playability.\u003c\/p\u003e\n\u003cp\u003eIn 1988 John from PREMIER GUITARS bought the twin of this guitar from Farrell Music in Brookvale - just down the road from our current showroom. That guitar has played hundreds of gigs since then and is still in exactly the same condition as when new. It has been a solid workdog for over 30 years and will never be moved on.\u003c\/p\u003e\n\u003cp\u003eJohn has owned a number of nice acoustics over the years, but when an onstage acoustic guitar is required, that is the one that gets the gig. Totally reliable, great sound, a delight play – just like this one.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in its original hard shell case in good condition.\u003c\/p\u003e","brand":"Takamine","offers":[{"title":"Default Title","offer_id":40704099287193,"sku":"21137","price":1595.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Takamine_EF_360SC_Japan_1988.jpg?v=1734161073"},{"product_id":"breedlove-journey-concert-ltd-sitka-brazilian-22-of-50-usa-2016","title":"SOLD - Breedlove Journey Concert Ltd Sitka \/ Brazilian #22 of 50 – USA 2016","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Breedlove –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“Over 50 years ago a few Brazilian rosewood logs were shipped from NE Brazil to a village just outside of Madrid, Spain, and was stored in an open-air warehouse for two decades then sawn into tonewood sets, labelled and left to season for decades more. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBrazilian rosewood has long been regarded as the pinnacle of all tonewoods for its amazing ability to resonate deep, rich, powerful bass notes while still shimmering with treble tones. With the half century’s worth of natural aging, this Brazilian collection has given Breedlove the cream of the crop. All legally documented.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBreedlove is building two limited edition models of 50 each, Breedlove Journey and Breedlove Journey FS. These concert instruments are designed for completely different playing styles and sound, confirming Breedlove’s mastery of Distinctively Crafted Sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Breedlove Journey Concert is designed to deliver powerful, robust sound. It takes full advantage of the Brazilian's character, delivering highly present bass tones much as a woofer does for a sound system. There is little subtlety with this instrument.  The more a musician dives into the Breedlove Journey, the more it will respond. The salvaged Sitka spruce top is paired perfectly allowing for tonal balance and, most importantly, tonal range. The Breedlove Journey truly comes alive the second it is played.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003eBreedlove's public perception over the last few years has tended to centre on its mid-price Legacy and Oregon Series, which have successfully introduced the brand to a much wider customer base.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHowever, this is not to say that things haven't been happening back at the company's thriving US Custom Shop operation in Oregon. Kim Breedlove has assembled a team of top flight craftsmen to work on the brand’s super high end models, of which the Journey Series is pretty much the pinnacle.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePossibly the best way of describing this fabulous guitar is to summarise an excellent review by Adam Perlmutter of Acoustic Guitar magazine –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"When I first played Breedlove’s new Journey Concert, I was reminded of the depth of sound that a set of Dalbergia nigra—or Brazilian rosewood—back and sides lends to a steel-string acoustic guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe bass notes have an unmistakable oomph, as if the guitar is outfitted with a subwoofer, and overall, it’s lush, ringing sound makes putting it down a challenging proposition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Rare \u0026amp; Coveted Tonewood -\u003cbr data-mce-fragment=\"1\"\u003eBrazilian rosewood was the tonewood of choice for the backs and sides of guitars by Martin and other makers from the 1800s through the 1960s, when supplies grew thin due to overharvesting. In 1969, Martin discontinued the use of Brazilian rosewood in favour of Indian rosewood, and since then the company has used Brazilian only for it’s occasional limited-edition series, as have other guitar makers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 1992, Brazilian rosewood was added to the CITES treaty (the Convention on International Trade in Endangered Species of Wild Fauna and Flora) banning its exportation. Now the wood can be used only if it was harvested before 1992 or from trees that have fallen naturally. That’s why production-model Brazilian rosewood guitars are rare these days, and a luthier-made Brazilian can easily set you back in the high five– or even six-figure range.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSeveral years ago, Breedlove scored the world’s largest legal collection of Brazilian rosewood, which had been drying for half a century in a village outside of Madrid, Spain. The company pulled 50 sets from its reserves for the limited-edition Journey. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLively \u0026amp; Luscious -\u003cbr data-mce-fragment=\"1\"\u003eWhether fingerpicked or flatpicked, the Journey Concert is one lively-sounding instrument. It’s got a confident projection and an impressive tonal balance, with the treble notes as big and rounded as the bass notes. The guitar is intonated perfectly, and it has no dead spots on the neck, nor any unwanted transients.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Journey Concert responds equally well to any approach I throw at it. It’s a terrific guitar for fingerpicking, whether in standard tuning or an alternate tuning like DADGAD or open C. The smallest pick-hand nuances feel amplified, and the notes in arpeggiated chords ring together vibrantly.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen strummed with a pick, the guitar has a terrific punch and presence. It’s just as satisfying to play six-note cowboy chords as it is to play two-note voiceings in the Freddie Green style. And thanks to the guitar’s slim C-shaped neck and low action, it feels easy to play brisk single-note lines up and down the neck—and to make them sing.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA Breed Apart -\u003cbr data-mce-fragment=\"1\"\u003eAt a glance, the Journey Concert, with its non-cutaway body and herringbone purfling, looks fairly traditional. But, like all Breedlove guitars, it’s got constructional details that set it apart from other steel-strings.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe bridge does away with the customary pins in favour of slots like those on an archtop’s tailpiece. This not only makes it easier to change strings; it’s said to assist in transferring energy from the strings’ vibrations to the soundboard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInstead of a being a consistent thickness, the Journey Concert’s top is graduated, a little ampler on the treble side than the bass. Breedlove engineers voice each top based on the way its wood behaves, and the graduation is intended to deliver more present and balanced trebles.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn place of the traditional dovetail neck joint, which so often eventually requires a neck re-set, the guitar has a bolt-on joint that makes it possible to adjust the neck angle without this surgical procedure, and to adjust the action.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBrazilian rosewood guitars of any constructional style are getting harder and more expensive to come by. With a street price of four grand—squarely in the range of a typical high-end guitar built from more common tonewoods—Breedlove’s Journey Concert is practically a steal, though out of the range of many players. The guitar is highly recommended for anyone wanting to get in the door with a guitar made from this precious tonewood—while it’s still available on a new instrument.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBody\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e• Body type: Concert Size\u003cbr data-mce-fragment=\"1\"\u003e• Cutaway: Non-cutaway\u003cbr data-mce-fragment=\"1\"\u003e• Top wood: Salvaged Sitka spruce\u003cbr data-mce-fragment=\"1\"\u003e• Back \u0026amp; sides: Brazilian rosewood\u003cbr data-mce-fragment=\"1\"\u003e• Body finish: Natural High Gloss\u003cbr data-mce-fragment=\"1\"\u003e• Lower Bout Width: 15\"\u003cbr data-mce-fragment=\"1\"\u003e• Waist Width: 9\"\u003cbr data-mce-fragment=\"1\"\u003e• Upper Bout Width: 11 1\/4\"\u003cbr data-mce-fragment=\"1\"\u003e• Body Length: 20”\u003cbr data-mce-fragment=\"1\"\u003e• Body Depth: 2 (3.75\")\u003cbr data-mce-fragment=\"1\"\u003e• Bridge: Winged Bridge, African Ebony\u003cbr data-mce-fragment=\"1\"\u003e• Binding: Ivoroid\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNeck\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e• Nut width: 1.75\" (44.45mm)\u003cbr data-mce-fragment=\"1\"\u003e• Fingerboard: Ebony\u003cbr data-mce-fragment=\"1\"\u003e• Neck wood: Honduran Mahogany\u003cbr data-mce-fragment=\"1\"\u003e• Number of frets: 20\u003cbr data-mce-fragment=\"1\"\u003e• Neck finish: Natural High Gloss\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElectronics\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e• Pickup\/preamp: Yes\u003cbr data-mce-fragment=\"1\"\u003e• Brand: LR Baggs Anthem TRU-Mic\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eOther\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e• Headstock overlay: Brazilian rosewood\u003cbr data-mce-fragment=\"1\"\u003e• Tuning machines: Gotoh 381, Gold with black buttons\u003cbr data-mce-fragment=\"1\"\u003e• Bridge: Rosewood\u003cbr data-mce-fragment=\"1\"\u003e• Saddle \u0026amp; nut: Bone\u003cbr data-mce-fragment=\"1\"\u003e• Case: Hardshell case\u003cbr data-mce-fragment=\"1\"\u003e• Country of origin: United States\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis Journey also features excellent onboard electronics— an LR Baggs Anthem TRU-MIC, combining a miniature microphone with a piezo pickup. The guitar sounds warm and detailed when plugged into a good acoustic amp. The controls for the Anthem are tucked neatly inside the soundhole and allow for a blend between the mic and the pickup.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis guitar was bought new by its one owner direct from USA in 2016. It has been looked after perfectly and presents as new – not a mark on it that we can see. It is set up well and plays beautifully.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHard to fault this one. Included is its Breedlove Certificate Of Authenticity and all CITES documents.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in its custom fitted high quality Breedlove branded hard case in new condition.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVideo demos of same model - \u003ca href=\"https:\/\/youtu.be\/TYY66-a8rss\" data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/TYY66-a8rss\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd – \u003ca href=\"https:\/\/youtu.be\/fHKQAAgM2d4\" data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/fHKQAAgM2d4\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBreedlove Custom Shop Factory Tour - \u003ca href=\"https:\/\/youtu.be\/_FPZN9Nmoi4\" data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/_FPZN9Nmoi4\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Breedlove","offers":[{"title":"Default Title","offer_id":40760542658713,"sku":"21142","price":6995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Breedlove_Journey_Concert_Ltd_Sitka_Brazilian_22_of_50_USA_2016.jpg?v=1733652762"},{"product_id":"fender-stratocaster-usa-1976","title":"SOLD - Vintage Fender Stratocaster – USA 1976","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is very nice 1976 Fender Stratocaster in good condition and with a few nice upgrades.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe pickups are active EMGs, and they roar. They are clear and bell-like down low, but when you hit the “go” button, well – look out. There is a mid boost control which seriously thickens the sound to approach the humbucker zone if you need it. And even without the boost, they are super punchy and have a nice clear and percussive sound to them, giving this guitar a bold sonic presence. And they are completely noiseless.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOne of the more famous advocates of EMGs is Pink Floyd’s David Gilmour who famously installed a set in his Strat in the early 80s. Not a bad sound you’d have to say …\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe finish is Fender’s Vintage White which has mellowed nicely to more of a creamy white – looks great. (There is some light reflection in the pics, but the finish is consistent with very little fading). The black pickguard with white knobs are stock and typical for 1975-1977 Strats.\u003c\/p\u003e\n\u003cp\u003eThe neck has a somewhat U-shaped profile and is fitted with its original medium jumbo frets which have been dressed and are showing only minor wear and plenty of height.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe tuners have been replaced with quality Gotoh (we think) closed back units. The nut has been replaced at some point. All other hardware appears to be stock.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures -\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Year: 1976\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Serial # 716xxx\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Body: Alder Body\u003cbr data-mce-fragment=\"1\"\u003e- Neck: Bolt-On, Maple\u003cbr data-mce-fragment=\"1\"\u003e- Fretboard: Maple\u003cbr data-mce-fragment=\"1\"\u003e- Finish: Vintage White\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- PIckups: 3 x EMG active\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Enlarged headstock\u003cbr data-mce-fragment=\"1\"\u003e- Bullet truss rod\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Gloss finished maple fingerboard\u003cbr data-mce-fragment=\"1\"\u003e- Skunk stripe on neck rear\u003cbr data-mce-fragment=\"1\"\u003e- Three bolt neck joint with tilt adjustment\u003cbr data-mce-fragment=\"1\"\u003e- Three ply laminated pick guard\u003cbr data-mce-fragment=\"1\"\u003e- Block style bridge saddles\u003cbr data-mce-fragment=\"1\"\u003e- Selector Switch: 5-Way\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e- Weight: 8.8 lbs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll in all, an excellent Strat from the mid '70s that plays like a dream. It features all the standard Stratocaster features from the era plus some seriously good pickups. It is one of the smoothest playing Strats of this era we have encountered.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in its 70s Fender black tolex case with Fender logo, in good condition\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":40784909435033,"sku":"21141","price":3595.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Vintage_Fender_Stratocaster_USA_1976.jpg?v=1734238502"},{"product_id":"gibson-pre-historic-1960-reissue-yamano-les-paul-usa-1993","title":"SOLD - Gibson Pre-Historic 1960 Reissue Yamano Les Paul – USA 1993","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is an absolutely stunning 1993 Gibson Pre-Historic 1960 Reissue Les Paul flame top in its original tobacco sunburst finish. This instrument was built in the US and hand-picked by Japanese importer Yamano Music for their Ishibashi store.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eYamano Music is the pre-eminent Japanese Gibson dealer with a reputation of ordering and only accepting the best of the best - spectacular flame tops, true to original neck profiles, nicely weighted, exact build specs, attention to detail etc. This instrument certainly ticks all those boxes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis guitar is referred to as “Pre Historic” because it pre-dates the Gibson Custom, Art \u0026amp; Historic Division which was formally created as a stand alone operation in October 1993, with the production of historic reissues. The custom shop logo on earlier guitars was nothing but a \"sticker\" for custom orders and limited editions. The official historic reissue production (R4, R6, R7, R8, R9, R0, with long tenon neck etc) began after long research on the 50´s originals.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“HDSB” and Feb 18, 1993 are stamped in the neck pickup cavity and “RO” is stamped in the bridge cavity. The model designation from the original paperwork is “LP Reissue HD” and features a highly flamed maple top, ’60s slim neck profile, ’57 Classic humbuckers and no pickguard.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eModel: Pre-Historic 1960 Reissue Les Paul\u003cbr data-mce-fragment=\"1\"\u003eBuild Year: 1993\u003cbr data-mce-fragment=\"1\"\u003eSerial: 30xxx\u003cbr data-mce-fragment=\"1\"\u003eFinish: Tobacco Sunburst Nitrocellulose \u003cbr data-mce-fragment=\"1\"\u003eAAA Flamed maple top\u003cbr data-mce-fragment=\"1\"\u003eOne-piece mahogany neck with original-style truss rod routing \u0026amp; '60 neck profile\u003cbr data-mce-fragment=\"1\"\u003eLong neck tenon with hide glue construction\u003cbr data-mce-fragment=\"1\"\u003e22-fret solid rosewood fretboard with historically accurate trapezoid inlays\u003cbr data-mce-fragment=\"1\"\u003eAuthentic 1960 vintage look, feel and tone \u003cbr data-mce-fragment=\"1\"\u003ePremium quality one piece mahogany body - non-chambered\u003cbr data-mce-fragment=\"1\"\u003e'60 profile neck \u003cbr data-mce-fragment=\"1\"\u003e’57 Classic humbuckers\u003cbr data-mce-fragment=\"1\"\u003e2 volume knobs, 2 tone knobs, and 3-way switch\u003cbr data-mce-fragment=\"1\"\u003eSingle-ply cream binding on top and fretboard \u003cbr data-mce-fragment=\"1\"\u003eAll nickel hardware - slightly aged for vintage patina\u003cbr data-mce-fragment=\"1\"\u003ePremium featherweight aluminium stopbar tailpiece\u003cbr data-mce-fragment=\"1\"\u003eOriginal style toggle switch washer and jackplate\u003cbr data-mce-fragment=\"1\"\u003eVintage Kluson tulip style tuners\u003cbr data-mce-fragment=\"1\"\u003eWeight: 8.8 lbs\u003cbr data-mce-fragment=\"1\"\u003eModifications: None\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a fabulous guitar in every way. We know it’s special because it’s a Yamano – carefully pre-ordered to be built most precisely to the original specs of a 1960 Les Paul. That means it has all of the features listed above, and with a “slim taper” ’60 neck profile rather than the very much larger 58 and 59 necks. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Slim Taper” is not totally accurate, as this is a great feeling neck – not too big but certainly not a thin neck. Just not as big as the 50’s sluggers. And being a Yamano, it is likely to be more suited to its Japanese customer base.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd did you notice it features a ONE PIECE solid premium mahogany body. Hard to find these, even in today’s Custom Shop builds.\u003c\/p\u003e\n\u003cp\u003eThis guitar was bought second hand from a reputable US dealer early last year, but must now be moved on. It is in excellent condition with only minor player wear evident – a few dents on the rear of the neck, and some insignificant marks on the back. The top is spectacular and super clean – not even any pick swirling … amazing considering it has never had a pick guard. Frets are 95% and everything works as it should.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt plays wonderfully well in all positions and sings beautifully in clean mode, while ramping up to full growl with those fabulous ’57 humbuckers when dialled up. Everything you could want in a classic premium quality Les Paul.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in its 1990s era brown Gibson hard shell case with inner shroud in excellent condition, and complete with its original Yamano Music paperwork and tool-kit. \u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":40889248841881,"sku":"21154","price":6695.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Gibson_Pre-Historic_1960_Reissue_Yamano_Les_Paul_USA_1993.jpg?v=1733987763"},{"product_id":"vintage-ibanez-ts-808-japan-1979","title":"SOLD - Vintage Ibanez TS-808 – Japan 1979","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAt a time when most amp makers were embracing the new world of solid state amps, the Ibanez Tube Screamer made its debut in the late 70's as a way to link the two fields. What amounted to essentially a tube simulator ended up setting an entirely new gold standard for overdrive tone. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile its predecessor the Overdrive II could wind its way up to 11 in terms of crunch and break up, and its successor in the form of the TS9 had a notoriously smooth drive and tone control - the TS-808 sits right smack in the middle. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRoland's Boss OD-1 of the same vintage clipped the guitar’s signal asymmetrically, similar to the effect of a vacuum tube, trimming the top and the bottom of the sound wave differently, resulting in a harsher sound. The TS-808 clipped it symmetrically, producing a dynamically smoother voice. This aided the Tube Screamer in preserving the original dynamics and clarity of the input signal and preventing it from getting too coarse or too muddy. For this reason, a lot of players will keep the overdrive at almost zero and wind up the level to essentially boost the properties of any given amp. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe TS-808 has an Overdrive knob to control distortion and a Level knob to adjust output volume. Differing from the original OD-1, it also had a tone knob to dial in the amount of treble, and this became key to its flexibility.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA major component of the Tube Screamer’s tone came from its operational amplifier (op-amp) integrated circuit chip. The early versions of the TS-808 used either Malaysian-made Texas Instruments RC4558P or Japanese Radio Corporation JRC4558D chips. Both have their fans. This particular unit has the JRC chip.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn a small amp that overdrives easily (such as the Fender Deluxe), you can run the Tube Screamer clean with a low Drive setting and high Level, to push the amp to more distortion. On a larger, cleaner amp, you can dial the Drive up about halfway, set the Tone at a quarter, and the Level to three-quarters to dirty up the sound. The result is more sustain, edge, and harmonic lushness. Dial it harder, and you can achieve fuzz.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis pedal has a proven history as an absolute lynchpin to the foundation of classic tube driven sound, as well as an invaluable addition to any gear line up. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis particular TS-808 is in used but original condition. It has some chips off the paint and wearing on the edges, but the case has no structural defects – all that vintage circuitry is untouched and safe and sound inside.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe footswitch and all 3 controls work quietly and properly, and this 808 sounds exactly the way it should – fabulous.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVideo demo of same model - \u003ca href=\"https:\/\/www.youtube.com\/watch?v=2aSbsMR7NyQ\" data-mce-fragment=\"1\"\u003ehttps:\/\/www.youtube.com\/watch?v=2aSbsMR7NyQ\u003c\/a\u003e\u003c\/p\u003e","brand":"Ibanez","offers":[{"title":"Default Title","offer_id":40908943098009,"sku":"21192","price":1495.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Vintage_Ibanez_TS-808_Japan_1979.jpg?v=1734261406"},{"product_id":"fender-custom-shop-60s-journeyman-telecaster-usa-2018","title":"Fender Custom Shop 60s Journeyman Telecaster – USA 2018","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePRICE DROP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Fender –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"The Fender Custom Shop Custom Shop 1960's Journeyman Relic Telecaster Electric Guitar will please any vintage Tele fan fortunate enough to strap it on. Close inspection reveals the remarkable workmanship and relic treatment that the Fender Custom Shop is known for.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Journeyman Tele has a lightweight ash body with a maple neck sporting a mid '60s oval C back shape. The fingerboard is maple with twenty-one 6105 frets and a 9.5\" radius. Electronics feature a pair of handwound ’67 Vintage Tele pickups and modern wiring to make the most of this great combo. Vintage hardware, a bone nut and a 3-ply pickguard come together to produce a fantastic look along with this one's classic Tele tone.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeatures -\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eLightweight Ash Body\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eThin Lacquer JOURNEYMAN RELIC Finish\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eVintage Hardware\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e3-Ply Pickguard\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eHandwound ’67 Vintage Tele Neck Pickup\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eHandwound ’67 Vintage Bridge Pickup\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eModern Wiring\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eTinted Quartersawn Maple Neck\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eDark Round Rosewood Fretboard\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e6105 Frets\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e9.5\" Radius\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eMid '60s Style Oval C\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eNeck depth 1\u003csup\u003est\u003c\/sup\u003e Fret 0.84”\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eNeck depth 12\u003csup\u003eth\u003c\/sup\u003e Fret 0.84”\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e \u003c\/span\u003e Bone Nut\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWeight is 7.5 lbs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eForged by the clever gentlemen of the Fender Custom Shop, this '60s Journeyman Tele is the stuff of dreams. It has been perfectly crafted and beautifully relic’d. It recalls all of the tone and mojo of those early period Telecasters without the voluminous price tag. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis guitar is basically brand new with all the original case candy. This Fender Custom Shop ‘60s Tele combines vintage style, relic looks, and modern materials for a guitar that looks and feels as good as it sounds. This very special guitar is finished in the quite rare colour of Surf Green that's been given a subtle Journeyman Relic treatment.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere are no issues with this guitar. There are no dents, scratches, wear, etc other than its relic job done by Fender of course. It is nicely set up with a medium low action, plays great in all positions and sounds like a vintage Tele should – lots of twang \u0026amp; bark from the bridge pickup, sweet jangle from the middle position and a full, woody sounding neck pickup to round out all the tonal options you could want.\u003c\/p\u003e\n\u003cp\u003eComes in its original tweed hardshell case along with full spec sheet, leather strap, case candy and Certificate of Authenticity.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVideo demo of same model - \u003ca href=\"https:\/\/youtu.be\/ay3dN_TvMi8\" data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/ay3dN_TvMi8\u003c\/a\u003e\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":40966175850649,"sku":"21156","price":3995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Fender_Custom_Shop_60s_Journeyman_Telecaster_USA_2018.jpg?v=1732792607"},{"product_id":"fender-blues-junior-iii-limited-edition-mex-2012","title":"SOLD - Fender Blues Junior III Limited Edition - Mex 2012","description":"\u003cp data-mce-fragment=\"1\"\u003eSOLD\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Fender –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“The standard for gigging guitarists worldwide and the ideal amp for crafting your own signature sound. Working guitarists everywhere prize no-frills Hot Rod amps for their great volume, reliability, responsiveness to effects pedals, and affordability. The Blues Junior is a longtime 15-watt favourite with warm tone ideal for the go-anywhere guitarist who needs to hit the stage or studio at a moment's notice, with great sound and versatile features. It's got the fat mid tones characteristic of EL84 output tubes, warm 12AX7 preamp tube overdrive, real spring Reverb, simple control layout, footswitchable FAT boost, and external speaker capability.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFender’s Blues Junior amp has been a favourite with guitarists since its inception in 1990. This one dates to 2012 when it was bought new by its one owner.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures - \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003esingle-channel 15-watt all-tube amplifier\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eone 12-inch, 50-watt, 8-ohm driver - model varies with edition\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFender spring reverb (driven by a solid-state op amp)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBass, Middle and Treble tone controls\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\"Fat\" pushbutton switch boosts gain and midrange frequencies in preamp stage\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eindependent preamp and master gain controls for tube overdrive management\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\"chicken head\" vintage styled control knobs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ethree matched Groove Tubes 12AX7 preamp tubes (graded to Fender's specifications)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003etwo matched Groove Tubes EL84 power tubes (graded to Fender's specifications)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003efixed power tube bias\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003esolid-state rectifier\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003esingle 1\/4-inch input jack\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLimited Edition Tweed Covering\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis one is excellent, almost new condition. No tarnishing on the metal top panel, no tears or scratches on the tweed tolex, no marks on the grill cloth, and no issues at all.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAlthough they may differ in their external visual aesthetic, all variants of the Blues Junior for a given year are produced with the same electronics, apart from the speaker. Limited editions may use varying speaker models, but this one is equipped with a high spec Jensen P12Q which sounds great.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFender Blues Jr amps have been super popular since they arrived on the scene in the mid 1990s. This is because they deliver in every way – sparking Fender cleans, thick crunchy tones when pushed a little, and searing lead tone when dialled up. They are affordable and built to last.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a fab little tube amp. Great for recording, rehearsals, small gigs, or just playing at home, this is the perfect small Fender amp with big classic Fender tone.\u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":40966303809689,"sku":"21160","price":895.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Fender_Blues_Junior_III_Limited_Edition_-_Mex_2012.jpg?v=1733745603"},{"product_id":"gretsch-g6131-malcolm-young-signature-jet-japan-2020","title":"SOLD - Gretsch G6131 Malcolm Young Signature Jet – Japan 2020","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Gretsch -\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“Gretsch honours the late Malcolm Young, whose rock-solid rhythm guitar swagger and songwriting provided the unshakeable foundation for monumental rock titans AC\/DC. The G6131-MY pays homage to Young’s famously battle-hardened Gretsch Jet™. Nicknamed “The Beast,” Malcolm certainly made the instrument his own, not least by removing two of the three pickups, stripping away the finish, and pounding out some of the hardest and most memorable rhythms the world has heard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis model features the essential hallmarks of one of rock’s most iconic instruments including “DIY” pickup routes with simulated screw holes, chrome switch plugs, Space-Control™ bridge with ebony base and ‘60s-style tailpiece. Open-cavity thunder roars from the thin-skin satin finished chambered mahogany body and is magnified by a high-output TV Jones Power’Tron pickup.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMalcolm Young’s fiery rock ‘n’ roll spirit lives on through AC\/DC’s enduringly timeless music, and it is Gretsch’s great privilege to pay a fitting tribute to him with a finely crafted model bearing his name.”\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeatures –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e-“DIY” pickup routes with simulated screw holes\u003cbr data-mce-fragment=\"1\"\u003e-Chrome switch plugs\u003cbr data-mce-fragment=\"1\"\u003e-TV Jones® Power’Tron™ bridge pickup\u003cbr data-mce-fragment=\"1\"\u003e-Double-cutaway chambered mahogany body with maple top\u003cbr data-mce-fragment=\"1\"\u003e-Aged-white binding\u003cbr data-mce-fragment=\"1\"\u003e-Bound ebony fingerboard with 22 jumbo frets and Neo-Classic thumbnail inlays\u003cbr data-mce-fragment=\"1\"\u003e-Gretsch® ‘60s Jet tailpiece\u003cbr data-mce-fragment=\"1\"\u003e-Pinned Space-Control bridge with ebony base, bone nut and Schaller die-cast tuners\u003cbr data-mce-fragment=\"1\"\u003e- Aged Natural stain with black neck and sides\u003cbr data-mce-fragment=\"1\"\u003e-Thin-skin semi-gloss finish for a true “tour worn” feel\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSpecs –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition: Artist Signature\u003cbr data-mce-fragment=\"1\"\u003eBody Shape: Jet\u003cbr data-mce-fragment=\"1\"\u003eBody Material: Chambered Mahogany\u003cbr data-mce-fragment=\"1\"\u003eBody Finish: Semi-Gloss Lacquer\u003cbr data-mce-fragment=\"1\"\u003eBody \u0026amp; Neck Binding: Aged White\u003cbr data-mce-fragment=\"1\"\u003eBody Depth: 2” (50.5 mm)\u003cbr data-mce-fragment=\"1\"\u003eUpper Bout: 10.5” (267 mm)\u003cbr data-mce-fragment=\"1\"\u003eLower Bout: 13.5” (343mm)\u003cbr data-mce-fragment=\"1\"\u003eWaist: 8.625” (219mm)\u003cbr data-mce-fragment=\"1\"\u003eNeck: Mahogany, Standard “U”\u003cbr data-mce-fragment=\"1\"\u003eNeck Mounting: Dovetail\u003cbr data-mce-fragment=\"1\"\u003eNeck Finish: Semi-Gloss Lacquer\u003cbr data-mce-fragment=\"1\"\u003eFingerboard: Ebony, 12” (305 mm)\u003cbr data-mce-fragment=\"1\"\u003eFrets: 22 (Plus Zero Fret), Jumbo\u003cbr data-mce-fragment=\"1\"\u003ePosition Inlays: Neo-Classic™ Thumbnail\u003cbr data-mce-fragment=\"1\"\u003eNut (Material\/Width): Bone, 1.6875” (42.86 mm)\u003cbr data-mce-fragment=\"1\"\u003eTuning Machines: Schaller® Die-Cast\u003cbr data-mce-fragment=\"1\"\u003eScale Length: 24.6” (625 mm)\u003cbr data-mce-fragment=\"1\"\u003eBridge: Space-Control™ with Ebony Base, Pinned\u003cbr data-mce-fragment=\"1\"\u003eTailpiece: Gretsch® ‘60s Jet™ Vibrato (without arm)\u003cbr data-mce-fragment=\"1\"\u003ePickups: TV Jones® Power’Tron™ (Bridge)\u003cbr data-mce-fragment=\"1\"\u003eControls: Volume 1. Bridge Pickup, Master Volume, Master Tone\u003cbr data-mce-fragment=\"1\"\u003eControl Knobs: G-Arrow\u003cbr data-mce-fragment=\"1\"\u003eHardware Finish: Nickel\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMany years ago, John from PREMIER GUITARS had the wonderful opportunity of interviewing Angus Young for the Australian TV series “The Guitar Show”. Apart from some illuminating insights into Angus’ own inspirations and career highlights, he always maintained that the heart of AC\/DC was his brother Malcolm’s rock solid rhythm playing. The bedrock sound of AC\/DC lies in his brother’s right hand hammering out those timeless riffs on his beloved Gretsch G6131 – “The Beast”.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePlease note this is NOT the cheaper Gretsch Malcolm Young I Model G6131SMY, which features a single FilterTron pickup, no switches and a Badass bridge. It is also NOT the cheaper Malcolm Young II Model G6131MY which features two FilterTrons, two switches, and Badass bridge.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt is also NOT the very much more expensive Gretsch \u003cstrong data-mce-fragment=\"1\"\u003eCustom Shop\u003c\/strong\u003e Malcolm Young G6131MY-CS, which can fetch over A$15,000\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis Gretsch G6131 Malcom Young \u003cu data-mce-fragment=\"1\"\u003eSignature\u003c\/u\u003e model is a fierce sounding guitar that lives up to Malcom’s nickname for it. With its high-output Power'Tron Pickup and chambered mahogany body, this guitar will belt out all the in-your-face-rock riffs you can throw its way. This is one guitar you need to hear, to fully believe what it can do.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt really shouldn’t be able to make the noise that it actually does !\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis guitar is in pristine, unplayed condition with a perfect setup. It would definitely suit a new buyer.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in its deluxe Gretsch hard shell case in new condition along with Gretsch Guarantee, tags \u0026amp; paperwork.\u003c\/p\u003e","brand":"Gretsch","offers":[{"title":"Default Title","offer_id":41098492510361,"sku":"21196","price":3595.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Gretsch_G6131_Malcolm_Young_Signature_Jet_Japan_2020.jpg?v=1734003844"},{"product_id":"marshall-2061x-lead-amp-bass-20-handwired-amp-head-amp-stack-uk-2017","title":"SOLD - Marshall 2061X Lead \u0026 Bass 20 Handwired Amp Head \u0026 Stack – UK 2017","description":"\u003cp data-mce-fragment=\"1\"\u003eSOLD\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a fantastic package – a handwired 20 watt Marshall 2061X Lead \u0026amp; Bass 20 head paired with 2 matching Marshall 2061x speaker cabinets.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003eAbout The Head\u003c\/u\u003e –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis Marshall 2061X head was built and hand wired in Marshall's Milton Keynes factory in England in 2017.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis compact , all-valve, handwired 20 watt guitar amp head is a reissue of the original 2061 which was made between around 1968 and 1973. It has been recreated to be as close to the original as possible.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Marshall -\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe two-channel 20 Watt Handwired 2061X is an authentic re-issue of the 2061 ‘Lead and Bass’ head from the late ’60s and early ’70s. And just like the original 2061, it produces that highly desirable, hand-soldered, vintage, all-valve sound in a compact small box design. The 2061X’s classic tone is produced by two ECC83 valves in the preamp, a pair of cathode biased EL84s in the power stage and a silicon diode rectifier. The solid-state rectifier gives the 2061X an aggressive edge, which makes it sound surprisingly contemporary.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMarshall have gone to enormous lengths to seek out and\/or reproduce all of the original components and materials, plus revisit the original methods of construction they used back in the late 1960s\/early 1970s. From the handwired tag-board circuit, to the custom-manufactured Dagnall output and mains transformers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeatures:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e• Hand-wired reissue of the original 2061 \"Lead and Bass\" head\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e• 20W output\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e• 2 EL84 tubes in the power amp\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e• 2 ECC83s in the preamp \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e• \u003c\/span\u003eSolid State rectifier\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis amp sounds at its best when cranked, and because of its lower power, the 2061X’s EL84s will overdrive at a relatively low volume, making it incredibly flexible, whether in the studio or for live performance. Having said that, at full tilt the 2061X is pretty loud, while remaining sensitive to playing dynamics.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Marshall 2061X’s sweetly distorted, harmonically rich, thick, musical tones result from the power valves being overdriven. As a result, when ‘cranked’ the 2061X is incredibly touch-sensitive, cleaning up or, if desired, sitting right on the edge of distortion when the guitar’s volume is turned down. It responds well to picking dynamics too.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Marshall 2061X features two channels each with its own high and low input. Channel one is designated as the lead channel and has that classic Marshall tone. The second channel is referred to as the bass channel and is much darker sounding, being voiced for a tighter low-end.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor the warmest, fullest tone imaginable, jumper the two channels and push the gain for a luscious overdrive that no boost pedal could dream of. There are plenty of tonal variations to be had out of the 2061X.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis two-channel blues machine is an incredible studio amp that reacts just as well with single-coil Fenders as it does with fat humbucker Gibsons. 20 watts of power from twin EL84 tubes also make the 2061X great for small to medium-sized club gigs.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVideo demo of same model - \u003ca href=\"https:\/\/youtu.be\/s5KmbSBtdQc\" data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/s5KmbSBtdQc\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003eAbout the Speaker Cabinets \u003c\/u\u003e–\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMarshall 2061 CX 212 Speaker Cabinet – UK 2014\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Marshall 2061CX is a hand-soldered, 60-watt, 2 x 12\" angled cabinet loaded with 30-watt Celestion speakers, manufactured in the UK.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSporting salt and pepper grille cloth, metal handles, and two of Celestion's renowned G12 reissue speakers, the 2061CX sounds as good as it looks.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures\u003cstrong data-mce-fragment=\"1\"\u003e -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e60-watt, 2 x 12\" cabinet with angled front\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDesigned to partner the handwired 2061X 20-watt head\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLoaded with 2 x 30-watt Celestion G12H reissue speakers\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSalt and pepper grille cloth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMetal handles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHigh-grade Baltic birch cabinet with finger-locked joints\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e8 ohms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 2061CX has an authentic vintage look, and is unusual for a 2 x 12” speaker configuration in that, although smaller (650 x 665 x 305cm), it has the look of a 4 x 12” cab.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe angled cabinet is designed to complement the handwired, reissue 20-watt 2061X head both sonically and visually.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cu data-mce-fragment=\"1\"\u003eAbout The Lower Cabinet - \u003c\/u\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a labour of love – an empty “dummy” 2 x 12 cabinet which is a perfect recreation of a Marshall non-slanted 2061 cabinet, handmade by the owner using correct Marshall specs and materials, all imported from the UK, including the tolex, grill cloth, Marshall logo, handles and screws.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIts owner painstakingly built the cabinet from top quality birch ply and matched every aspect of its creation to its sister 2x12 slanted cabinet.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe baffle has not been cut, and there are no speakers installed. It was specifically built to create the look of a classic Marshall stack – albeit a slightly more compact one than the standard 2 x 412 cabs that filled stages in the 1970s and 80s.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis rig has got the look, and it’s sure got the sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe amp and both cabinets are in excellent, as new condition. This stack has only ever been used in a home studio situation and has been very well looked after. It has never been out the front door, let alone to a gig. Which is a shame, because it’s a great look, with rockin’ sound to match.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe amp has had no repairs, modifications or changes since new. The cabinets are in pristine, as new condition. No surprises, no issues, and 100% pure vintage Marshall tone – what more can you ask for ?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Marshall","offers":[{"title":"Default Title","offer_id":41108824064153,"sku":"21177","price":2995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Marshall_2061X_Lead_Bass_20_Handwired_Amp_Head_Stack_UK_2017.jpg?v=1734070385"},{"product_id":"burny-rockin-roll-version-les-paul-jr-japan-1980s","title":"SOLD - Burny “Rockin Roll Version” Les Paul Jr – Japan 1980s","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBurny is a sub-brand of the Fernandes Guitars company which was established in Japan in 1969. Its Burny brand was used for the Gibson replica guitars while the Fernandes brand was used for their Fender replica guitars. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFernandes started making electric guitars around 1971 or 1972. The Burny Les Paul models first appeared in the mid-1970s. Steve Jones from the Sex Pistols has used Burny guitars as has Mike Clark of Suicidal Tendencies, Robert Fripp of King Crimson, Steve Hackett of Genesis, Billie Joe Armstrong of Green Day and Duff McKagan in his side project Loaded. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFernandes\/Burny continued cloning Fender and Gibson guitars until he mid-1980’s when both brands threatened to sue them for trademark infringement. At that point, Burny Les Paul models were often regarded by many professionals as some of the best clones of the original 50’s Les Pauls.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd that is the case with this Burny “Rockin Roll Version” which is basically a Les Paul Jr in different clothing.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis guitar is in great condition for a 30+ year instrument with just a few minor character dings on the body and the neck. There are two filled holes on top just in front of the bridge, and an unfilled strap pin screw hole on the rear upper bout.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe original basic wrap-round stop-tail bridge has been replaced with a fully adjustable combination bridge \/ tailpiece. We do not know the brand of this but it’s a solid piece of gear.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe neck is a comfortable medium-large C-shape and is topped with a richly coloured rosewood board. The neck joint is an excellent piece of work – sturdy and beautifully engineered – way better than most Gibson clones. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe vintage Kluson style tuners are strong and the medium jumbo frets are in great shape. Truss rod works fine, neck is straight, action is medium low with a good setup.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe guitar has no serial number, which is typical for Burny during this era.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWeight is 7.8 lbs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBut the secret sauce on this guitar is the original Japanese P-90 dog ear pickup along with the classic Gibson style volume and tone circuit. This pickup is mighty punchy and interacts beautifully with the volume and tone pots for a surprising amount of tonal range.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis “Rockin Roll Version” (gotta love the Japanese nomenclature) is all you'd expect from this model of electric guitar. Straight in your face, twangy yet punchy with loads of sustain. This guitar is simple, elegant, and just oozes rock \u0026amp; roll.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes with a basic vinyl gig bag is serviceable condition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Burny","offers":[{"title":"Default Title","offer_id":41213779148953,"sku":"21172","price":1295.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Burny_Rockin_Roll_Version_Les_Paul_Jr_Japan_1980s.jpg?v=1733654275"},{"product_id":"music-man-stingray-4-h-bass-usa-2008","title":"SOLD - Music Man Stingray 4 H Bass – USA 2008","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a great 2008 reissue of the iconic 70s Music Man Stingray Bass.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Stingray bass was introduced in 1976 and has since become Music Man's most iconic instrument. As a result of a 10 year non-complete clause signed by Leo Fender when he sold Fender to CBS in 1965, Leo did not start building new instruments in earnest until the mid-'70s. The original Stringray is an absolutely key example of Leo Fender's initial reimergence via his new company Music Man. It features a hard maple fingerboard as well as innovative active electronics. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures –\u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eBody: Solid three piece ash body\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eBody Colour: Translucent Red\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eBody Finish: High gloss polyester\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eNeck Material: Maple Neck\u003cbr data-mce-fragment=\"1\"\u003eFingerboard Material: Maple\u003cbr data-mce-fragment=\"1\"\u003eNeck Profile: \"C\" profile\u003cbr data-mce-fragment=\"1\"\u003eNeck Thickness: .83\" (1st fret), .91\" (12th fret)\u003cbr data-mce-fragment=\"1\"\u003eFingerboard Radius: 11.00\" \u003cbr data-mce-fragment=\"1\"\u003eNut Width: 1-11\/16\"\u003cbr data-mce-fragment=\"1\"\u003eScale Length: 33 3\/4\"\u003cbr data-mce-fragment=\"1\"\u003eNeck Details: Bolt-on maple neck with unbound rosewood fretboard and dot inlays\u003cbr data-mce-fragment=\"1\"\u003eElectronics: Original Music Man humbucker pickup with volume control and active 3-band EQ\u003cbr data-mce-fragment=\"1\"\u003eTuning Machines: Music Man \/ Schaller BM, with tapered string posts\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eTruss Rod: Adjustable at neck base - no component or string removal\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eNeck Attachment: 6 bolts - perfect alignment with no shifting\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eBridge: Music Man® chrome plated, hardened steel bridge plate with stainless steel saddles\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eWeight: 9.8 lbs\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eModifications\/Repairs: None\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis one is a great player, with an excellent recent setup. The neck is on the medium side and plays silky smooth. It has a nice low action and plays easily all the way up the neck.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTonally this thing is a monster. The active humbucker pickup sounds huge, with beautiful low end and punchy midrange. The active tone circuitry allows you to dial up lots of sounds, from fat and clean, to funky quack, to balls-to-the-wall.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eApart from a ding on the edge of the lower bout, this Stingray is in excellent, almost new condition. It is mighty versatile and could be used for any style of music.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in its original hard case in good condition.\u003c\/p\u003e","brand":"Music Man","offers":[{"title":"Default Title","offer_id":41333816950937,"sku":"21169","price":1995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Music_Man_Stingray_4_H_Bass_USA_2008.jpg?v=1734087019"},{"product_id":"zachary-mercer-mastermind-jazzmaster-aust-2021","title":"SOLD - Zachary \u0026 Mercer Mastermind “Royal” Offset – Aust 2021","description":"\u003cdiv class=\"page\" title=\"Page 2\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHandcrafted in Sydney by a local luthier, this one of a kind Offset guitar was an award winning entry within a recent global guitar building competition, where it received accolades from a number of respected judges, master builders and luthiers. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased on a strong royal theme, it goes without saying that no effort or expense was spared in the sourcing of components for this Offset, along with meticulous attention to detail and styling in construction. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll design elements and finishes were done by the builder, apart from the body and brass work which where CNC’d and laser cutter for accuracy locally. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis guitar is a two piece mahogany body that pays homage to the original 62 JM shape. Paintwork is a colour-shift purple-blue pearl with gold pinstripe accents, all topped off with a high-gloss polished polyurethane clear. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt features a single piece laser cut brass pick-guard cage, headstock plate and accent fleur-de-lis that have been meticulously hand polished and secured with slotted pan head brass screws throughout. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe neck is a USA sourced Fender approved\/licenced 9.5” radius maple neck with rosewood fingerboard, with matching painted headstock and pinstriping. The neck has been finished in hi-gloss polished polyurethane, and features a stainless steel ZeroGlide zero fret that leads to Hipshot open gear staggered locking tuners. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHardware starts with a NOS Cobain USA floating tremolo that flows over an American Pro JM bridge. Internals include vintage cloth wiring, Switchcraft and CTS components, treble bleed, knurled controls, and switch tips - all sourced new from the USA. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePickups are Fender Custom Shop 69's and 1 X Texas Special (4 in total) that have been wired in serial as HB's, and can be split via switches to single coils. It also includes an integrated latching kill-all switch. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is a totally unique and very classy Offset style guitar that plays beautifully, sounds great and will certainly turn some heads. A stunning collectors piece. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComes with a brand new Fender JM\/Jaguar hardshell case for a perfect fit. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Zachary \u0026 Mercer","offers":[{"title":"Default Title","offer_id":41436905013401,"sku":"21186","price":2795.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Zachary_Mercer_Mastermind_Royal_Offset_Aust_2021.jpg?v=1734324636"},{"product_id":"fender-custom-shop-chris-fleming-masterbuilt-55-tele-usa-2006","title":"SOLD - Fender Custom Shop Chris Fleming Masterbuilt 55 Tele – USA 2006","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eChris Fleming was one of the most esteemed Master Builders for the Fender Custom Shop until he moved on in 2015. His positions at Fender included Master Builder apprentice, Guild Electric Electric Guitar Supervisor, Guild Acoustic Guitar Production Coordinator, Fender Custom Shop Master Builder, Senior Master Builder, Guitar R\u0026amp;D Project Manager, Director of Fender Guitar R\u0026amp;D, Director of Specialty Brand R\u0026amp;D, Chief Engineer Guitar R\u0026amp;D.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHe quickly became the go-to builder for Telecasters - being a devoted fan for years. When Fleming began mapping out his Master Design Limited Edition Run, the decision was made easily - he would create an exact replica of his personal and beloved 1955 Telecaster - down to the meticulous relic treatment that perfectly recreates the look and feel of his well-loved, vintage Tele.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is an exceptional example of the clear distinction between a standard American Fender and the top-notch work of a Master Builder like Chris Fleming. He made only 100 of these, from selecting the wood and ensuring period correct components, to pickup design and hand crafting the instrument from go to whoa. It is a must have for any serious Tele enthusiast, because it is definitely a cut above the rest.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 55 Telecaster Relic is built with a side seam ash body, with the weight and sustain of a vintage instrument. The one-piece maple neck has a beautifully rounded, fat C-shaped profile. The shape of the neck fits perfectly in your left hand - one of the fastest necks we've played. While some may be opposed to the idea of relic'd guitars, there is a clear advantage to a neck that feels 50 years old, broken in right out of the box.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWeight is 7.6 lbs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMr Fleming has made a point to recreate the feel of his own Telecaster, and his personal commitment to authenticity is clearly shown in the minor details. The neck wear in the first position, the worn fingerboard in higher playing positions, and the vintage profile come together in a beautiful way.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 1-ply white pickguard features two pickups that Fleming himself designed to perfectly mimic the tone and response of the originals. The wiring features a lovely clear neck pickup without any capacitor dulling down the tone like the early originals. This is complemented with an “Esquire-esque” circuit around the bridge pickup. The middle switch position is the bridge pickup with the tone control, while the switch in position 3 is the bridge pickup hard wired to the output – ie bypassing the tone control. This is similar to the wiring on early Blackguard Esquires and offers great versatility in the pickup combinations.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe result is classic Telecaster twang, spark, and sweetness. The control knobs roll effortlessly, but still have enough resistance to smoothly operate with a pinky if that’s your thing.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile showing playing wear is the whole point of this light relic Tele, the guitar has actually hardly been played at all. There is no fretwear, but the feel and sound of this thing is that of an old instrument – as close as you can get the real thing without having to take out an extra mortgage.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eChris Fleming no longer works at Fender Custom Shop, and it is our experience that his Masterbuilt guitars, and Teles in particular, are becoming more and more sought after, and therefore more collectible. And for good reason - if you can get a chance to lay your hands on this one you’ll understand why.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSale includes a bunch of case candy including ashtray, cleaning cloth, tags and Certificate of Authenticity signed by Chris Fleming.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in its original tweed Fender case in good condition.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":41442183151769,"sku":"21211","price":8995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Fender_Custom_Shop_Chris_Fleming_Masterbuilt_55_Tele_USA_2006.jpg?v=1733749450"},{"product_id":"vintage-gibson-les-paul-standard-usa-1973","title":"Vintage Gibson Les Paul Standard – USA 1973","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePRICE DROP -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a beautiful example of the rarely-seen 1973 Les Paul Deluxe\/Standard, in Tobacco Sunburst. In the early to mid-70s Gibson’s main Les Paul was the Deluxe model which had mini-humbuckers, and if you wanted a Les Paul Standard with full size humbuckers you had to specifically order it.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKnowledgeable collectors know that during this period, while Gibson offered the Standard humbucker option on the Deluxe model, not many were actually built.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThese Deluxe\/Standard hybrids were the precursor to the Standard models that were officially launched in 1976, and only a relatively small number of these Deluxe\/Standards were ordered. They were shipped with the serial number indicating Deluxe, but came with a Standard truss rod cover.  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis guitar is in exceptional condition, and has been well cared for and used mainly in a professional studio setting for many years. In 2020 the owner commissioned respected Sydney luthier Piers Crocker to do a detailed assessment of this guitar which follows here –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNeck –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eReplaced tuners and bushes with black touch up on front \u0026amp; rear of head.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginal tuners are in the case\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNo cracks in head at head or body joint\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginal nut is Gibson ABS type - has been shimmed\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePearl logo and silkscreen in excellent condition\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTruss rod cover and one screw original. One replaced screw.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginal low wide frets in good condition.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePearloid crown inlays all original with no lifting at corners\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFingerboard bindings all secure with no cracks.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginal Indian rosewood fingerboard.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNeck - body joint is all original with no cracks or touch ups knew line\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSerial number is untouched.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll neck lacquer is original.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBody -\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginal 2 tone sunburst over cross banded mahogany body.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFour piece maple cap\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSingle white binding is secure with no cracks\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNo major dents or scratches.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTiny touch ups at front and rear of body.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNormal buckle rash and arm wear\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBack plates and screws are original\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTop strap pin has been moved with filled hole evident\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHardware and Electronics -\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginal bridge and tailpiece in excellent condition\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDiecast saddles are in good condition. Extra notch on the G saddle\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eStuds and thumb wheels in good condition\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCream pickguard and bracket are original, as are the screws.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginal T-Top humbuckers. Missing covers are in the case\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSurrounds are original\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMount screws are replaced\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHeight adjust screws and springs original\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWiring loom has been cleaned up by Piers Crocker.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOriginal read disc capacitors fitted\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll potentiometers are original. Pot codes are 1377335 x 4 = 1973\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOutput jack replaced\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eChrome jack plate and screws original\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e3 gold top hat knobs original. One is aftermarket\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePointer washers and nuts are original\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSelector switch, tip, ring, nut and plastic surround original\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePiers Crocker is a highly regarded luthier in his own right and has been doing assessments of vintage instruments for over 30 years. He is totally independent and absolutely does not favour the guitar’s owner or its selling agent. Piers completely strips down the instrument and provides a detailed written report to the owner, which is reproduced above.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePREMIER GUITARS has relied of Piers’ assessments on a number of vintage guitars over many years. They have always been most comprehensive and very accurate.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe only thing that’s left out of the above assessment is that this guitar is a delight to play in every way. And it sounds great.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBeneath the chimey, crisp treble, there’s a solid punch to these T-Top pickups. The bridge pickup is aggressive, with a noticeable midrange quack and a jangly chime. The neck sounds wide open and clear, lending a jazzy texture to chords and a vocal quality to single notes. It will also clean up in a wonderful way by playing lightly or turning down, without losing clarity or treble response.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt holds its tuning superbly. All electronics are original and are working perfectly.\u003c\/p\u003e\n\u003cp\u003eWeight is a comfortable 9.6 lbs – solid, but not a burden …. just the right amount of girth required to attain the grunt and serious sustain every Les Paul player wants.\u003c\/p\u003e\n\u003cp\u003eOver the years there have been many 70s Les Paul Deluxes converted to dual humbucker guitars as some owners felt that the mini humbuckers didn’t quite have the kick of the full size units. These guitars are often referred to as Les Paul Deluxe Conversions, with varying degrees of workmanship involved.\u003c\/p\u003e\n\u003cp\u003eThis is NOT one of those. This is a rare example of a fully fledged, specially ordered Les Paul Standard from 1973 that is in fabulous almost original condition and will deliver 100% wonderful Gibson tone day in and day out, for the next 50 years.\u003c\/p\u003e\n\u003cp\u003eComes in its original Gibson USA case in good condition, with purple interior and replaced handle.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":41442328707225,"sku":"21199","price":7495.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Vintage_Gibson_Les_Paul_Standard_USA_1973.jpg?v=1734683147"},{"product_id":"lakewood-d-32-dreadnought-germany-2015","title":"SOLD - Lakewood D-32 Dreadnought – Germany 2015","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Lakewood Guitars -\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“Lakewood guitars are handcrafted German quality guitars made by Martin Seeliger and his team. The craftsmanship of the Lakewood luthiers is not only expressed in the flawless finish, but especially in the sound: a deep warm sound, resonant, with beautiful overtones and with a lot of clarity. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMore than 30 years ago the trademark Lakewood was born. Martin Seeliger, owner and experienced luthier found the name on a map near Lake Erie and made it his brand name – so the first cornerstone was laid. The focus is on flawless craftsmanship and spectacular sounds. “ \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Lakewood D-32 is part of the Deluxe series. Crafted with Indian rosewood and a solid AAA European spruce top with subtle decorations, this guitar has a beautiful appearance. This Lakewood D32 is in very good condition. It has a relatively low saddle and low action, and is ideally suited to flat pickers.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures –\u003cbr data-mce-fragment=\"1\"\u003eBody Shape: Dreadnought\u003cbr data-mce-fragment=\"1\"\u003eFinish: Natural\u003cbr data-mce-fragment=\"1\"\u003eDimensions:\u003cbr data-mce-fragment=\"1\"\u003eWidth: 397 mm - 15.6\"\u003cbr data-mce-fragment=\"1\"\u003eDepth: 114 mm - 4.5\"\u003cbr data-mce-fragment=\"1\"\u003eBody:\u003cbr data-mce-fragment=\"1\"\u003eSolid European Spruce Top\u003cbr data-mce-fragment=\"1\"\u003eSolid Indian Rosewood Bracing - standard shifted X bracing\u003cbr data-mce-fragment=\"1\"\u003e1-ring rosette, with rosewood inlay and abalone trim\u003cbr data-mce-fragment=\"1\"\u003eRosewood body bindings, w\/ multiple purfling\u003cbr data-mce-fragment=\"1\"\u003eNeck Material: Cedar\u003cbr data-mce-fragment=\"1\"\u003eNeck Profile: C\u003cbr data-mce-fragment=\"1\"\u003eFingerboard Material: Ebony\u003cbr data-mce-fragment=\"1\"\u003eFingerboard Radius: 12\"\u003cbr data-mce-fragment=\"1\"\u003eNut width: 44.8 mm - 1.8\"\u003cbr data-mce-fragment=\"1\"\u003eScale Length: 650 mm - 25.6\"\u003cbr data-mce-fragment=\"1\"\u003eString spacing: 54 mm - 2.1\"\u003cbr data-mce-fragment=\"1\"\u003eBridge: Ebony\u003cbr data-mce-fragment=\"1\"\u003eTuners: Lakewood die-cast Sealed Back (Gold)\u003cbr data-mce-fragment=\"1\"\u003ePickup: none\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a fine, well made dreadnought from the highly regarded Lakewood brand based in Giessen, near Frankfurt Germany. Here’s a link to some very informative videos from their workshop - \u003ca href=\"https:\/\/www.lakewood-guitars.com\/lakewood_workshop.php\" data-mce-fragment=\"1\"\u003ehttps:\/\/www.lakewood-guitars.com\/lakewood_workshop.php\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis guitar sounds big and chimey with a full, natural sound. It is well balanced with clear, articulate highs, a punchy midrange and enough bottom end to satisfy a Martin aficionado.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is well crafted from high end materials, and is finished with admirable attention to detail.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe guitar is a one owner instrument – bought new in Sydney in 2015 and looked after very well. There is barely a mark to be seen on this instrument. It has never been played onstage, only in a home setting with friends.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt would suit a new buyer, but actually feels better than a new instrument because it has settled over time and been played in nicely.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in its Lakewood branded Hiscox hard case in new condition.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVideo demo from Lakewood - D32 2020 - \u003ca href=\"https:\/\/youtu.be\/u-Kw69V5SEI\" data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/u-Kw69V5SEI\u003c\/a\u003e\u003c\/p\u003e","brand":"Lakewood","offers":[{"title":"Default Title","offer_id":41442613428377,"sku":"21198","price":1995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Lakewood_D-32_Dreadnought_Germany_2015.jpg?v=1734066303"},{"product_id":"fender-telecaster-plus-v-1-usa-1991","title":"SOLD - Fender Telecaster Plus v.1 – USA 1991","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDifferences between Standard and Plus Telecasters –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTelecaster Pluses from 1989 to 1995 (Version One) have a short style bridge (somewhat similar to that of the Stratocaster), with the bridge pickup having a small metal pickup ring which is not part of the bridge mechanism. The control plate also differed from the standard Telecaster; due to an extra mini switch between the tone and volume knobs.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Fender Telecaster Plus (Version One) came equipped with Lace Sensor pickups -\"Dually Red-Red\" in the bridge position and \"Blue\" in the neck position. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe three position toggle acts as a coil splitter for the bridge - toward the neck for the pickup closest to the neck, toward the bridge for the pickup closest to the bridge and in the middle for both.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFinish Details: Original Antique Burst \u003cbr data-mce-fragment=\"1\"\u003eBody Details: Solid alder body \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNeck Material: Maple Neck\u003cbr data-mce-fragment=\"1\"\u003eFingerboard Material: Rosewood Fingerboard\u003cbr data-mce-fragment=\"1\"\u003eNeck Profile: C-Shape\u003cbr data-mce-fragment=\"1\"\u003eNeck Thickness (in): 1st fret\" .82\", 12th: .89\"\u003cbr data-mce-fragment=\"1\"\u003eFingerboard Radius: 9.50\"\u003cbr data-mce-fragment=\"1\"\u003eNut Width: 1-11\/16\"\u003cbr data-mce-fragment=\"1\"\u003eFingerboard Radius: 9.50\"\u003cbr data-mce-fragment=\"1\"\u003eNeck Details: One-piece maple 4-bolt neck with a rosewood board, centre white dot inlays, and truss adjustment at the headstock\u003cbr data-mce-fragment=\"1\"\u003eElectronics: \u003c\/p\u003e\n\u003cp\u003eNeck - Fender Blue Lace Sensor single-coil neck pickup\u003c\/p\u003e\n\u003cp\u003eBridge - Two single coil Red Lace Sensors arranged in humbucker configuration\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e3-way blade pickup selector switch\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e3-way mini-toggle bridge selector tap switch\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMaster volume control\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMaster \"TBX\" tone control\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHardware: Original Chrome\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWeight is 7.8 lbs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe body is finished in a nice dark edge sunburst and topped off with a white 3 ply pickguard. It has a C shaped maple neck with 21 frets, 25.5” scale length, rear skunk stripe and closed back Fender tuners.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCosmetics: There are some minor scuffs on the body, mostly on the back and all consistent with a played but well cared for guitar of its age. Frets are in good condition with lots of life left.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe neck is straight, the truss rod is operating as it should and all electronics are in good working condition. Action is currently medium low with lots of adjustment available either way. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a very versatile guitar, with a great variety of tonal options at your fingertips. The Fender Tele Plus is one of the rarest production USA guitars from the 1990's. The model is most closely associated with Radiohead’s Jonny Greenwood, who owns five of them !\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in a GT branded gig bag.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVideo demo of same model - \u003ca data-mce-fragment=\"1\" href=\"https:\/\/youtu.be\/Q14F3wenv8I\"\u003ehttps:\/\/youtu.be\/Q14F3wenv8I\u003c\/a\u003e \u003c\/p\u003e","brand":"Fender","offers":[{"title":"Default Title","offer_id":41467518124185,"sku":"21200","price":2795.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/1_4a5e43b2-e64b-4019-8517-6707253a28e0.jpg?v=1636168267"},{"product_id":"gibson-les-paul-standard-usa-1998","title":"SOLD - Gibson Les Paul Standard – USA 1998","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a lovely Gibson Les Paul Standard built in Nashville USA in 1998, finished in a bright cherry sunburst. The cream binding and dark rosewood fingerboard complement the finish and complete its colour palette perfectly.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe medium C shape neck is very easy to move around. It is not one of the super slim 1960 style necks from the early 90s LP Classics. This one feels very comfortable – not too thin, and not too fat - just right for most players.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures -                  \u2028\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTop: Carved maple top with gloss lacquer finish\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBody: 2 piece mahogany\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNeck Profile: '60s\u2028mid C\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eScale length: 24-3\/4\"\u2028\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFingerboard: Bound Rosewood\u2028\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrets: 22 medium jumbo\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNut width: 1.69\"\u2028\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInlays: Trapezoid\u2028\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBinding: Standard\u2028\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBridge: Nashville bridge with stopbar tailpiece\u2028\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTuners: Grover\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHardware: Chrome\u2028\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePickups: Gibson USA 490 and 498T humbuckers\u2028\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eElectronics: 2 volume, 2 tone, 3-way toggle pickup selector\u2028\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKnobs: Gold Gibson speed knobs \u2028x 4\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePickguard: Period-correct cream\u003c\/p\u003e\n\u003cp\u003eThis Les Paul is a good one from 1998. It has been played, but really well looked after. It has some very light button swirls on the back and a few nicks on the  headstock, but the neck and top are clean. The frets show little sign of wear. The neck is straight and the truss rod is functioning perfectly.\u003c\/p\u003e\n\u003cp\u003eThis is a good, straight guitar now over 20 years old but not showing its age. It is in unchanged condition with no issues and a comfortable, strong neck. This is an easy playing Les Paul Standard with great tone and a distinctive look.\u003c\/p\u003e\n\u003cp\u003eComes in its original Gibson hard case in good condition. \u003c\/p\u003e","brand":"Gibson","offers":[{"title":"Default Title","offer_id":41467569668249,"sku":"21201","price":3495.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Gibson_Les_Paul_Standard_USA_1998.jpg?v=1733982761"},{"product_id":"fender-tele-custom-partscaster-pelham-blue-usa-2020-2021","title":"SOLD - Txxx Custom Style Partscaster – Pelham Blue – USA 2020 \/ 2021","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHere's a well built Txxx Custom from the builder of the Surf Green, Shell Pink, Piano Black, Candy Apple Red and Sunburst guitars previously listed here at PREMIER GUITARS.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAgain, this one is mostly genuine USA parts sourced from US guitar parts reseller The Stratosphere in Brentwood New Hampshire - \u003ca href=\"https:\/\/stratosphereparts.com\/\" data-mce-fragment=\"1\"\u003ehttps:\/\/stratosphereparts.com\/\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeatures of this one –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNeck: Fxxxxx American Performer Rosewood Neck \"Modern C\" profile, 9.5\" radius, 22 jumbo frets (Nov 2020). Serial # US20060469\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBody: US Made Allparts double bound alder. Finished in Gibson Pelham Blue on the top and natural back and sides\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e3 ply laminated white pickguard \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePickups: Seymour Duncan Broadcaster neck and bridge pickups\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFxxxxx Vintage Txxx bridge with 3 x brass saddles.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEmerson USA pots, caps \u0026amp; wiring with treble bleed – super high quality, hand wired in USA – see \u003ca href=\"https:\/\/emersoncustom.com\/products\/3-way-telecaster-prewired-kit?variant=42583858314\" data-mce-fragment=\"1\"\u003ehttps:\/\/emersoncustom.com\/products\/3-way-telecaster-prewired-kit?variant=42583858314\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWeight is 7.8 lbs                                                                  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA bone nut has been installed and the guitar has been tweaked and set up by Matt Bullus at Saltmine Guitars in Sydney.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhat sets this guitar apart from the pack is the wonderful idea of using Gibson’s Pelham Blue for the top, in combination with the natural back and sides – quite a distinctive look.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd the Duncan Broadcaster pickup set is as good as it gets for a great sounding Tele.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis guitar is brand new – it has not been played live, in a studio, at a rehearsal … not anywhere. It was built for the enjoyment of the challenge, and then brought direct to PREMIER GUITARS to find a new home.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in a new tweed coloured hard case.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePLEASE NOTE: The description and some photos of this guitar have been edited for legal reasons. Please call the phone number listed on our website for further details.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Partscaster","offers":[{"title":"Default Title","offer_id":41467660435609,"sku":"21203","price":1695.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Txxx_Custom_Style_Partscaster_Pelham_Blue_USA_2020_2021.jpg?v=1734169101"},{"product_id":"rittenhouse-jm-63-jazzmaster-usa-2020","title":"SOLD - Rittenhouse JM-63 – USA 2020","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Rittenhouse Guitars –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“Established by Abe Rittenhouse, Rittenhouse Guitars of Miami, Florida prides in being a unique guitar custom shop that produces true to life vintage guitars.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUnlike a mass producing shop, at Rittenhouse Guitars each instrument is built, finished and relic’d with the utmost detail and care. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAbe Rittenhouse, founder and builder at Rittenhouse Guitars, comes from a family heritage rich in artistic abilities. He grew up surrounded by painters, sculptors and carpenters.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRittenhouse Guitars, Inc. was born when Abe’s experience of vintage artistry was merged with his passion for music, introducing him to the world of guitar relicing. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat began as a part-time hobby for Abe soon became a fulltime job as guitars players all over the world sought after the acclaimed Rittenhouse Guitars. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“This is not my job, but my passion” says Abe, who still builds each guitar with the same passion and dedication as he did at first.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a very good vintage J style, offset solid body guitar. It features a fat 50's neck, vintage tall frets and aged nitro finish.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is proudly adorned with a set of Lollar pickups so you get a sound that lives somewhere between the sparkle and chime of a Stxxx and the midrange oomph of a Les Paul. Full, warm tones in the neck position and biting lead tones at the bridge. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeatures -\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli\u003eAlder Body\u003c\/li\u003e\n\u003cli\u003eVintage Relic Shell Pink\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNitrocellulose finish\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRoasted maple neck\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRosewood fretboard\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRadius: 9.5” \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNeck Finish: Nitrocellulose relic finish\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNeck Profile: chunky 50's U Contour – 1st fret 0.910\", 12th fret 0.975\" \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFret Size: .078’’ x .050’’ Vintage Tall\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHardware: Relic nickel, vintage style \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePickups: Lollar \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWeight: 7.9 lbs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis JM-63 features Rittenhouse’s unique ageing process and build techniques, resulting in an instrument with the mojo of a 55 year old with road wear and broken-in feel, but with modern playability.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt was bought brand new last year, played less than 10 times, and is being offered in new (but relic’d), unchanged condition.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes with its hard shell case in new condition.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eVideo demo of same model  - \u003ca href=\"https:\/\/www.youtube.com\/watch?v=WCYbqCGGmsA\" data-mce-fragment=\"1\"\u003ehttps:\/\/www.youtube.com\/watch?v=WCYbqCGGmsA\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Rittenhouse","offers":[{"title":"Default Title","offer_id":41467745042585,"sku":"21188","price":2595.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Rittenhouse_JM-63_USA_2020.jpg?v=1734155997"},{"product_id":"marshall-jcm-800-2203x-amp-and-1960a-cab-burgundy-snakeskin-2015","title":"SOLD - Marshall JCM 800 2203 Amp and 1960A Cab - Burgundy Snakeskin – 2015","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSOLD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a spectacular and very elusive package --- a killer JCM 800 head and matching 1960A 4 x 12 cabinet dressed to kill in one of the most rare Marshall tolex coverings of all - Burgundy Snakeskin.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom Marshall –\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“This JCM800 re-issue, 2203 model (’81–’84), is one of the most highly respected 100 Watt Marshall® heads.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally evolving from the ‘Plexi’ head, the JCM800 was one of our first amplifiers to feature a Master Volume control.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe JCM800 2203 remains the essence of simplicity; it has one channel with no Reverb.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIts purist-pleasing front panel and distinctive roar set the standard by which all other rock amps were judged.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd it is still produced because of continued artist use, and of course by popular demand.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe only modern addition made to the JCM800 2203 is a tonally transparent Series FX Loop.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlaying through the 2203 is like flicking a switch for instant metal-hero status: imperious rock tones roll out effortlessly from your fingertips.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHead Specifications -\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMODEL: JCM800 2203\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRANGE: VINTAGE\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTECHNOLOGY: VALVE\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCHANNELS: 1\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWATTAGE: 100W\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eINPUTS: 2 x 2\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCONTROLS: PRESENCE, BASS, MIDDLE, TREBLE, MASTER, PREAMP\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePRE AMP VALVES: 2 x ECC83\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePOWER AMP VALVES: 1 x ECC83, 4 x EL34\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eWEIGHT (KG): 20.5\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDIMENSIONS in mm (W x H x D): 740 x 315 x 210\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e 1960A Cabinet Specs –\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eConfiguration:\u003cspan data-mce-fragment=\"1\"\u003e    \u003c\/span\u003e4 x 12\"\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eSpeakers:\u003cspan data-mce-fragment=\"1\"\u003e           \u003c\/span\u003e4 x 12\" Celestion G12T-75\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003ePower Handling: 300W\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eImpedance:\u003cspan data-mce-fragment=\"1\"\u003e        \u003c\/span\u003e16 ohms\/4 ohms (Mono), 8 ohms (Stereo)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eMono\/Stereo:\u003cspan data-mce-fragment=\"1\"\u003e     \u003c\/span\u003eMono, Stereo\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eCabinet Type:\u003cspan data-mce-fragment=\"1\"\u003e     \u003c\/span\u003eAngled\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eBack:\u003cspan data-mce-fragment=\"1\"\u003e                   \u003c\/span\u003eClosed\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eInputs:\u003cspan data-mce-fragment=\"1\"\u003e                 \u003c\/span\u003e2 x 1\/4\"\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eConstruction:\u003cspan data-mce-fragment=\"1\"\u003e     \u003c\/span\u003eBirch\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eCasters:\u003cspan data-mce-fragment=\"1\"\u003e              \u003c\/span\u003eYes\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eHeight:\u003cspan data-mce-fragment=\"1\"\u003e                \u003c\/span\u003e32.68\"\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eWidth:\u003cspan data-mce-fragment=\"1\"\u003e                 \u003c\/span\u003e29.92\"\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eDepth:\u003cspan data-mce-fragment=\"1\"\u003e                 \u003c\/span\u003e14.17\"\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eWeight:\u003cspan data-mce-fragment=\"1\"\u003e               \u003c\/span\u003e80.25 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 1960A (angled) cabinets came about because Jim Marshall felt a head-on straight front cab just didn't look well designed. The sides and baffle of the cabinet feature an angled cut. This has both a cosmetic impact and a sonic one, because the top two 12\" speakers angle slightly upwards. It has more sonic dispersion and is a little brighter-sounding than a straight cabinet.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe 1960A produces a loud, well-focused, and uncluttered sound with a tight, full low end and a crisp, clear top. It projects well across the guitar's entire tonal range and its clarity makes it ideal for players who like using a fair amount of effects such as reverb, chorus, or delay as it doesn't mask or muddy-up such FX. Its all-around versatility and relatively uncoloured nature makes this one of Marshall's best-selling cabs. It represents the sound of the guitar and head most accurately.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis rig was bought new in 2015 and has been in a home studio environment. It has never been to a rehearsal room, let alone any stage. As such, it presents in new condition in every way. It shows no marks or wear of any kind, not even any dust !\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd does it deliver ? Well, yes. This beast is classic Marshall – it has that big fat Brit sound, in keeping with all your Marshall expectations. It is easy to dial up that classic British crunch, and then send it into dripping overdrive at will.\u003c\/p\u003e\n\u003cp\u003eThe Marshall JCM800 2203 tube amp head packs 100-watts of power into a classic one channel design.\u003c\/p\u003e\n\u003cp\u003eAnd the Marshall 1960 cabinets are the best selling amp cabinets in the world – for good reason.\u003c\/p\u003e\n\u003cp\u003eObviously this amp has a ton of headroom which makes it a perfect platform for players who use a few pedals. Its clean sound is warm and woody in the mids and lows and sweet in the trebles, and it works beautifully for just about every application. \u003c\/p\u003e\n\u003cp\u003eIt's not a quiet amplifier, but if you're lucky enough to be able to crank the JCM800 into its sweet spot you'll have the tone that shaped the sound of rock.\u003c\/p\u003e\n\u003cp\u003eNeedless to say, any Marshall rig in Burgundy Snakeskin is almost impossible to find. They were made in this matching configuration for only a short time in 2015. And this head \u0026amp; cab are both in stunning, as new condition – not a mark on them anywhere.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLink to Marshall JCM 800 page - \u003ca href=\"https:\/\/marshall.com\/marshall-amps\/products\/amps\/vintage-reissues\/jcm800-2203\" data-mce-fragment=\"1\"\u003ehttps:\/\/marshall.com\/marshall-amps\/products\/amps\/vintage-reissues\/jcm800-2203\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMarshall video demo - \u003ca href=\"https:\/\/youtu.be\/zOTrBqRNq_I\" data-mce-fragment=\"1\"\u003ehttps:\/\/youtu.be\/zOTrBqRNq_I\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Marshall","offers":[{"title":"Default Title","offer_id":41473813381273,"sku":"21216","price":4495.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/Marshall_JCM_800_2203_Amp_and_1960A_Cab_-_Burgundy_Snakeskin_2015.jpg?v=1734072204"},{"product_id":"mosrite-of-california-the-ventures-model-japan-1990s","title":"Mosrite Of California – The Ventures Model – Japan 1990s","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePRICE DROP -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a fabulous Mosrite Of California Ventures Model Mk I 1965 vintage reissue in near mint, 100% original condition and in perfect working order, complete with the original hardshell case.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis rare reissue replicates all the essential features of early Mosrite Ventures Model instruments, with smooth knobs, a sandcast Vibramute tailpiece, and prominent German Carve on the basswood body.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe stock pair of single coil pickups have ample power and punchy midrange, wound properly to vintage-spec and providing an authoritative sound that's quintessential Mosrite.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFew guitars have a more storied history than the Mosrite brand, especially in the modern era. We believe this particular model is a rarely seen reissue crafted by Fillmore in Japan in the 1990s. This Mosrite is one of Fillmore's earlier models with the \"Mosrite of California\" headstock nomenclature, also retaining the Ventures Model text. Boasting incredible fit and finish work, this Japanese made Mosrite is an extremely finely crafted instrument worthy of Semie Moseley's legacy.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe maple neck has a slim C-shaped profile carve with a bound dark rosewood fretboard, and slender frets with fret edge binding and showing almost no wear.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA faithful reissue in every respect, this Mosrite features a 24 3\/4\" scale length and 1 9\/16\" fretboard width at the zero fret just forward of the aluminum nut. The headstock retains the \"Mosrite of California\" text and Ventures Model logo, with vintage Kluson-style tuners.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAll of the stock electronics work as they should, with the original single coil pickups metering at 6.5k ohms in both positions. The look is rounded out with a pale mint green three-ply pickguard, Mosrite-embossed pickup covers, and chrome-plated metal Mosrite knobs machined with smooth tops (the design that predated the more common \"M\" knobs).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe neck is flawless and features a quite stunning sunburst cameo on the rear.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe “Vibramute” vibrato is extremely smooth and elegant, touch-sensitive in its responsiveness and made to exacting vintage spec with a sandcast base and chrome plated string anchor and arm. The vibrato arm even has the subtle \"elbow\" seen on early Ventures Models, a testament to all the tiny details faithfully captured by Fillmore on this model.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe gloss black finish highlights the prominent German carve, and cosmetic wear is limited to a couple of tiny nicks and light scratches, but nothing of significance.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWeight is 8.4 lbs\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis is a great guitar with a unique feel and tone. It has been set up by respected Sydney luthier Piers Crocker, and used at a high professional level including on the excellent first album by Sydney band The Break.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eComes in its original Mosrite Of California black tolex hardshell case in good condition. \u003c\/p\u003e","brand":"Mosrite","offers":[{"title":"Default Title","offer_id":41492570931353,"sku":"21219","price":2995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/products\/1_ac714905-c99d-4c2e-b103-1871a0af3a07.jpg?v=1636757112"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0283\/1905\/6012\/collections\/PREMIER_GUITARS_1.jpg?v=1669858601","url":"https:\/\/www.premierguitars.com.au\/collections\/sold-archive.oembed?page=32","provider":"Premier Guitars","version":"1.0","type":"link"}